"Carmina Burana / 1. Primo vere: "Ecce gratum"" by Carl Orff, Bavarian Radio Chorus, Josef Kugler, Bavarian Radio Symphony Orchestra, Eugen Jochum was released on January 1, 2002. The duration of Carmina Burana / 1. Primo vere: "Ecce gratum" is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Carmina Burana / 1. Primo vere: "Ecce gratum"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 39 in the song's album "Orff: Carmina burana; Catulli Carmina; Trionfo d'Afrodite". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Germany. In terms of popularity, Carmina Burana / 1. Primo vere: "Ecce gratum" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmina Burana / 1. Primo vere: "Ecce gratum" by Carl Orff, Bavarian Radio Chorus, Josef Kugler, Bavarian Radio Symphony Orchestra, Eugen Jochum having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piazzolla: Libertango | Astor Piazzolla, Alison Balsom, Edward Gardner, Göteborg Symfoniker | A Minor | 3 | 8A | 150 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": I. Allegro | Antonio Vivaldi, Nigel Kennedy, English Chamber Orchestra | E Major | 2 | 12B | 113 BPM | ||
Carmina Burana: O Fortuna | Carl Orff, Eva Jenisova, Vladimir Dolezal, Ivan Kusnjer, Pavol Procházka, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | D Minor | 3 | 7A | 136 BPM | ||
Voices of Spring Waltz, Op. 410 | Orchestra of the Viennese Volksoper & Alfred Scholz | C Minor | 1 | 5A | 99 BPM | ||
Gayaneh: Sabre Dance | Aram Khachaturian, Valery Gergiev, Mariinsky Orchestra | C Major | 6 | 8B | 98 BPM | ||
Lakmé / Act 1: "Viens, Mallika, ... Dôme épais" (Flower Duet) | Léo Delibes, Dame Joan Sutherland, Jane Berbié, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge | B Major | 1 | 1B | 84 BPM | ||
Funeral Sentences for the death of Queen Mary II: The Queen's Funeral March (Procession) | Henry Purcell, Baroque Brass Of London, David Hill | B♭ Minor | 2 | 3A | 85 BPM | ||
Pelléas et Mélisande: III. Galliard. Navire dans la tempête | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | B♭ Major | 1 | 6B | 87 BPM | ||
Two Songs Without Words, Op. 22: I. Country Song | Gustav Holst, Richard Hickox, City of London Sinfonia | G Major | 0 | 9B | 82 BPM | ||
Holst: The Planets, Op. 32: I. Mars, the Bringer of War | Gustav Holst, Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | F Minor | 3 | 4A | 78 BPM |
Section: 0.696704626083374
End: 0.7005114555358887