Carl Orff, Eva Jenisova, Vladimir Dolezal, Ivan Kusnjer, Pavol Procházka, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser's 'Carmina Burana: O Fortuna' came out on April 12, 1990. The duration of Carmina Burana: O Fortuna is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Carmina Burana: O Fortuna's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Carmina Burana: O Fortuna's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmina Burana: O Fortuna by Carl Orff, Eva Jenisova, Vladimir Dolezal, Ivan Kusnjer, Pavol Procházka, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vita Nostra | Ennio Morricone | D Major | 4 | 10B | 103 BPM | ||
歌劇「魔笛」/復讐の心は地獄のように胸に燃え(モーツァルト) | ラケル・ロサレス(ソプラノ), ブルガリア国立放送交響楽団, ヨハン・ランドー(指揮) | B Major | 5 | 1B | 139 BPM | ||
Adagio for Strings, Op. 11 | Samuel Barber, Royal Scottish National Orchestra, Marin Alsop | B♭ Minor | 0 | 3A | 77 BPM | ||
Nabucco: Va, pensiero, "Chorus of Hebrew Slaves" | Giuseppe Verdi, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Oliver von Dohnanyi | D♭ Major | 0 | 3B | 71 BPM | ||
Adagio for Organ and Strings in G Minor | Tomaso Albinoni, Latvian Philharmonic Chamber Orchestra, Ilmar Lapinsch, Tibor Bauer, Drazan Milas | D Major | 1 | 10B | 114 BPM | ||
Giselle: Act I: Pas seul - Pas de deux des jeunes paysans | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E Major | 0 | 12B | 144 BPM | ||
Schindler's List - Theme | New World Philharmonic Orchestra, Tasmin Little, Ian Sutherland | D Minor | 1 | 7A | 92 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
Song Of The Plains | The Red Army Choir | G Minor | 3 | 6A | 127 BPM | ||
Lakmé, Act 1: Dôme épais le jasmin "Flower Duet" | Léo Delibes, Carl Davis, Royal Liverpool Philharmonic Orchestra, Janice Watson, Ruby Philogene, The King's Division Normandy Band | B Major | 2 | 1B | 77 BPM |
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