"Adagio for Strings, Op. 11" by Samuel Barber, Royal Scottish National Orchestra, Marin Alsop was released on 2001. Since Adagio for Strings, Op. 11 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 7 in Barber: Adagio for Strings by Samuel Barber, Royal Scottish National Orchestra, Marin Alsop. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Adagio for Strings, Op. 11 is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Adagio for Strings, Op. 11 by Samuel Barber, Royal Scottish National Orchestra, Marin Alsop is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The King's Speech | Alexandre Desplat | C Minor | 0 | 5A | 110 BPM | ||
Pavane, Op. 50 | Gabriel Fauré, Bobby McFerrin, Saint Paul Chamber Orchestra | B Major | 0 | 1B | 77 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: 13. Dance of the Knights | Sergei Prokofiev, Orchestre Symphonique de Montréal, Charles Dutoit | A Minor | 1 | 8A | 95 BPM | ||
Celesta Taboo Lament (Title Edit) - Bonus Track | Max Richter | G Major | 3 | 9B | 170 BPM | ||
Saint-Saëns: Carnival of the Animals: VII. Aquarium | Camille Saint-Saëns, Antonio Pappano, Martha Argerich, Orchestra dell'Accademia Nazionale di Santa Cecilia | A Minor | 1 | 8A | 67 BPM | ||
Tosca: Le château Saint-Ange (Le geôlier) | Giacomo Puccini, Stanislaw Benacka/Czech-Slovak Radio Symphony Orchestra/Alexander Rahbari, Alexander Rahbari, Czecho-Slovak Radio Symphony Orchestra | F♯ Major | 3 | 2B | 84 BPM | ||
Prélude à l'après-midi d'un faune, L. 86 | Claude Debussy, Royal Scottish National Orchestra, Sergey Neller | D♭ Minor | 1 | 12A | 75 BPM | ||
Adagio for Strings, Op. 11 | Samuel Barber, Janos Balint, Lajos Lencsés, Reinhold Friedrich, Budapest Strings, Bela Banfalvi | B♭ Minor | 0 | 3A | 69 BPM | ||
Violin Concerto, Op. 14: II. Andante | Samuel Barber, James Buswell, Royal Scottish National Orchestra, Marin Alsop | E Major | 0 | 12B | 82 BPM | ||
Waltz Suite, Op. 110: III. Mephisto Waltz (from Lermontov) | Sergei Prokofiev, Orquestra Sinfônica Do Estado De São Paulo, Marin Alsop | D Minor | 1 | 7A | 97 BPM |
Section: 0.6846890449523926
End: 0.6881890296936035