"Trio for Violin, Horn and Piano: I. Andantino con tenerezza" by György Ligeti, Andrew Joy, Christian Ostertag, JAMES AVERY was released on October 16, 2015. Since Trio for Violin, Horn and Piano: I. Andantino con tenerezza is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 22 in Andrew Joy: Cor à cor by Christian Ostertag, Christine Chapman, JAMES AVERY. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Trio for Violin, Horn and Piano: I. Andantino con tenerezza is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Trio for Violin, Horn and Piano: I. Andantino con tenerezza by György Ligeti, Andrew Joy, Christian Ostertag, JAMES AVERY is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonic Metamorphosis of Themes by Carl Maria von Weber: III. Andantino | Paul Hindemith, WDR Sinfonieorchester Köln, Marek Janowski | E Major | 1 | 12B | 95 BPM | ||
Schoenberg: 6 Little Piano Pieces, Op. 19: No. 1 Leicht, zart | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | A Minor | 0 | 8A | 69 BPM | ||
Quatuor pour la fin du Temps: I. Liturgie de cristal | Olivier Messiaen, Martin Fröst | F Minor | 0 | 4A | 100 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Major | 1 | 10B | 82 BPM | ||
HFDBMC | KNOXVILLETRACKZ | C Major | 0 | 8B | 87 BPM | ||
Quatuor pour la fin du Temps: VIII. Louange à l'immortalité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 76 BPM | ||
Klavierstück V, Work No. 4: Klavierstuck V, Work No. 4 | Karlheinz Stockhausen, Fredrik Ullén | D♭ Major | 0 | 3B | 95 BPM | ||
Shaker Loops: Pt. I, Shaking and Trembling | John Adams, Orchestra of St. Luke's | G Major | 1 | 9B | 153 BPM | ||
Twelve Preludes For Piano (1953): I | Galina Ustvolskaya, Marianne Schroeder | D Minor | 0 | 7A | 68 BPM | ||
Perduto in una citta d'acque | Salvatore Sciarrino, Florian Hoelscher | C Major | 0 | 8B | 139 BPM |
Section: 0.8560492992401123
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