"Quatuor pour la fin du Temps: I. Liturgie de cristal" by Olivier Messiaen, Martin Fröst was released on November 3, 2017. The duration of Quatuor pour la fin du Temps: I. Liturgie de cristal is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Quatuor pour la fin du Temps: I. Liturgie de cristal's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Olivier Messiaen, Martin Fröst, Lucas Debargue, Torleif Thedéen, Janine Jansen's "Messiaen: Quatuor pour la fin du temps (Quartet for the End of Time)" album is number 1 out of 8. In terms of popularity, Quatuor pour la fin du Temps: I. Liturgie de cristal is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Quatuor pour la fin du Temps: I. Liturgie de cristal by Olivier Messiaen, Martin Fröst to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturnes, L. 91: I. Nuages (Arr. by Denis Herlin) | Claude Debussy, Denis Herlin, Hallé, Sir Mark Elder | A♭ Major | 3 | 4B | 113 BPM | ||
On a Distant Shore: I. The Dark | Karin Rehnqvist, Martin Fröst, Swedish Chamber Orchestra, Petter Sundkvist | C Major | 0 | 8B | 63 BPM | ||
Dancing with Silent Purpose: IV. Invisible Purpose | Fredrik Högberg, Martin Fröst, Australian Chamber Orchestra, Richard Tognetti | G Minor | 3 | 6A | 120 BPM | ||
Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes | Olivier Messiaen, Martin Fröst | D♭ Major | 2 | 3B | 107 BPM | ||
La muerte del ángel | Astor Piazzolla, Martin Fröst, Royal Stockholm Philharmonic Orchestra | G Minor | 1 | 6A | 122 BPM | ||
12 Notations pour piano: I Fantasque - Modéré | Pierre Boulez, David Fray | D♭ Major | 0 | 3B | 79 BPM | ||
Pictures at an Exhibition (Orch. Ravel): I. Gnomus | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E Major | 1 | 12B | 60 BPM | ||
Piano Concerto No. 1, Op. 45: I. Con grandezza | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | G Major | 1 | 9B | 70 BPM | ||
Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | B♭ Major | 1 | 6B | 173 BPM | ||
Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM |
Section: 1.1606078147888184
End: 1.165109395980835