"Norma, Act 2: In Mia Man Alfin Tu Sei" by Vincenzo Bellini, Esther Mazzoleni, Giovanni Zenatello was released on January 1, 2000. The duration of Norma, Act 2: In Mia Man Alfin Tu Sei is about 3 minutes long, at 3:17. Based on our data, "Norma, Act 2: In Mia Man Alfin Tu Sei" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 10 in the song's album "Norma". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. Norma, Act 2: In Mia Man Alfin Tu Sei is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Norma, Act 2: In Mia Man Alfin Tu Sei by Vincenzo Bellini, Esther Mazzoleni, Giovanni Zenatello having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lucrezia Borgia - Act I - Com'è bello! Quale incanto | Gaetano Donizetti, Montserrat Caballé, Carlo Felice Cillario | E♭ Major | 1 | 5B | 63 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Anne Sofie von Otter, Francisco Araiza, Cheryl Studer, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Jeffrey Tate | G Major | 3 | 9B | 140 BPM | ||
Norma / Act 1: Oh! qual traspare orribile | Vincenzo Bellini, Montserrat Caballé, Dame Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | B♭ Major | 1 | 6B | 134 BPM | ||
I Puritani | Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | ||
Don Pasquale: Tornami a dir che m'ami | Angela Gheorghiu, Richard Armstrong, Roberto Alagna | A Major | 0 | 11B | 90 BPM | ||
La Traviata: Act I: Sempre libera | Giuseppe Verdi, Georges Prêtre, Montserrat Caballé, Carlo Bergonzi, RCA Italiana Opera Orchestra | D Minor | 0 | 7A | 106 BPM | ||
La traviata / Act 1: Un dì felice, eterea | Giuseppe Verdi, Luciano Pavarotti, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | F Major | 1 | 7B | 74 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Renata Tebaldi, Orchestre National de l'Opéra de Monte-Carlo, Fausto Cleva | E Major | 1 | 12B | 66 BPM | ||
Cavalleria rusticana: "A casa, amici" - "Comare Lola" | Pietro Mascagni, The London Opera Chorus, Luciano Pavarotti, Carmen Gonzales, National Philharmonic Orchestra, Gianandrea Gavazzeni | C Major | 1 | 8B | 86 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM |
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