Paul Hindemith, Gérard Caussé's 'Hindemith: Viola Sonata, Op. 25 No. 1: II. Sehr frisch und straff' came out on March 16, 2018. The duration of Hindemith: Viola Sonata, Op. 25 No. 1: II. Sehr frisch und straff is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Hindemith: Viola Sonata, Op. 25 No. 1: II. Sehr frisch und straff's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Viola Legend - The Erato Years by Gérard Caussé. The song's track number on the album is #58 out of 168 tracks. Based on our data, France was the country where this track was produced or recorded. Hindemith: Viola Sonata, Op. 25 No. 1: II. Sehr frisch und straff is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Hindemith: Viola Sonata, Op. 25 No. 1: II. Sehr frisch und straff by Paul Hindemith, Gérard Caussé has a tempo of 70 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Hindemith: Viola Sonata, Op. 25 No. 1: II. Sehr frisch und straff being at 70 BPM, the half-time would be 35 BPM with a double-time of 140 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio for Oboe, Bassoon and Piano, FP 43: Andante: Andante con moto | Francis Poulenc, Olivier Doise, Laurent Lefèvre, Alexandre Tharaud | D Major | 0 | 10B | 169 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
Also sprach Zarathustra, Op.30, TrV 176: Das Grablied | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 1 | 11A | 93 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 1. Adagio - Allegro moderato - Poco adagio | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | A♭ Major | 1 | 4B | 118 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM | ||
String Quartet No. 16 in F Major, Op. 135: II. Vivace | Ludwig van Beethoven, Danish String Quartet | F Major | 2 | 7B | 92 BPM | ||
Images I, L. 110: 2. Hommage à Rameau | Claude Debussy, Seong-Jin Cho | D♭ Major | 0 | 3B | 69 BPM | ||
Love's Labour's Lost, Op. 28a: II. Longaville's Sonnet | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | D Minor | 0 | 7A | 94 BPM | ||
4 Pieces, Op. 51 (arr. Rogal-Levitsky): Fragilite, Op. 51, No. 1 | Alexander Scriabin, Konstantin Scherbakov, Moscow Symphony Orchestra, Igor Golovschin | E♭ Major | 0 | 5B | 77 BPM | ||
Symphonie "Mathis der Maler": 1. Engelkonzert | Paul Hindemith, Boston Symphony Orchestra, William Steinberg | G Major | 2 | 9B | 106 BPM |
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