Jacques Offenbach, Anne Sofie von Otter, Francisco Araiza, Riccardo Cassinelli, Eva Lind, Georges Gautier, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Jeffrey Tate made "Les Contes d'Hoffmann / Act 2: "Ah! mon ami, quel accent!"" available on January 1, 1992. The duration of Les Contes d'Hoffmann / Act 2: "Ah! mon ami, quel accent!" is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Les Contes d'Hoffmann / Act 2: "Ah! mon ami, quel accent!"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 59 in the song's album "Offenbach: Les Contes d'Hoffmann". In this album, this song's track order is #22. Furthermore, we believe that the track originated from Netherlands. Les Contes d'Hoffmann / Act 2: "Ah! mon ami, quel accent!" is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Les Contes d'Hoffmann / Act 2: "Ah! mon ami, quel accent!" by Jacques Offenbach, Anne Sofie von Otter, Francisco Araiza, Riccardo Cassinelli, Eva Lind, Georges Gautier, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Jeffrey Tate having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Kulka János | E♭ Major | 2 | 5B | 89 BPM | ||
Offenbach: Les Contes d'Hoffman, Act 1: "Voyons? Pour Hoffmann!" (Lindorf) | Jacques Offenbach, Kent Nagano, Orchestre De L'Opéra National De Lyon, Martin Sauer | A♭ Minor | 3 | 1A | 79 BPM | ||
Die lustige Witwe (The Merry Widow) (2000 - Remaster): XIV. Lippen schweigen (Danilo/Hanna) | Franz Lehár, Eberhard Waechter/Elisabeth Schwarzkopf/Philharmonia Orchestra/Lovro von Matacic, Eberhard Waechter, Lovro Von Matacic, Philharmonia Orchestra | G Major | 1 | 9B | 85 BPM | ||
Offenbach: La belle Hélène, Act 1: No. 8, Finale, "Gloire! Gloire au berger victorieux" (Chorus, Agamemnon, Hélène, Oreste, Ménélas, Ajax premier, Ajax second, Achille, Pâris, Calchas) | Jacques Offenbach, Marc Minkowski, Felicity Lott, Yann Beuron, Michel Sénéchal, Francois Le Roux, Alain Gabriel, Laurent Alvaro, Marie-Ange Todorovitch, Hjördis Thébault, Magali Léger, Choeur des Musiciens du Louvre, Éric Huchet, Laurent Naouri, Stéphanie D'Oustrac, José Canalès, Les, Les Musiciens du Louvre.Grenoble | F Major | 1 | 7B | 94 BPM | ||
Wiener Blut: Overture: Wiener Blut (Vienna Blood), Op. 354 | Strauss Festival Orchestra, Johann Strauss II | C Major | 1 | 8B | 178 BPM | ||
Gold Und Silber (Gold And Silver), Op. 79 | Slovak Radio Symphony Orchestra, Franz Lehár | C Major | 1 | 8B | 81 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance I | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 97 BPM | ||
Les Contes d'Hoffmann / Act 1: Les oiseaux dans la charmille | Jacques Offenbach, Dame Joan Sutherland, Jacques Charon, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | A♭ Major | 1 | 4B | 136 BPM | ||
Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity (Excerpt) | Gustav Holst, Philharmonia Orchestra, Sir Simon Rattle | C Minor | 3 | 5A | 127 BPM |
Section: 0.8618776798248291
End: 0.865753173828125