Philharmonica Slavonica made "Slawischer Tanz Nr.8 Op.46 G-moll/slavonic Dance I" available on August 1, 2014. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 13 in Fitness & Workout: Nordic Walking-Classical Hits by Various Artists. Based on our statistics, Slawischer Tanz Nr.8 Op.46 G-moll/slavonic Dance I's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Slawischer Tanz Nr.8 Op.46 G-moll/slavonic Dance I by Philharmonica Slavonica is Allegro (fast, quick, and bright), since this song has a tempo of 145 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite for Cello and Orchestra, Op. 16: II. Sérénade (andantino) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | G Minor | 0 | 6A | 141 BPM | ||
브람스 : Waltz In A-Flat Major | Five Sense | A♭ Major | 1 | 4B | 92 BPM | ||
Messiah - Adapted W.A.Mozart, KV572 / Part 1: Pifa: Larghetto e sempre piano | George Frideric Handel, Vienna Radio Symphony Orchestra, Sir Charles Mackerras | D Major | 2 | 10B | 91 BPM | ||
Legende, Op. 17 | Henryk Wieniawski, Miklos Szenthelyi, Budapest Philharmonic Orchestra, György Gyorivanyi-Rath | G Minor | 1 | 6A | 77 BPM | ||
Oberon, J.306: Ouvertüre | Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D Major | 1 | 10B | 131 BPM | ||
Symphony No. 94 in G Major, "Surprise": II. Andante | Joseph Haydn, Heribert Beissel, Philharmony Bonn | C Major | 0 | 8B | 111 BPM | ||
Piano Concerto in A minor, Op. 16: II. Adagio | Edvard Grieg, Krystian Zimerman, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 77 BPM | ||
Carmen, Opera Suite No. 1: III. Intermezzo, Act 3 | London Festival Orchestra Alfred Scholz | E♭ Major | 0 | 5B | 134 BPM | ||
Simfonia nr. 8, Andante con moto | Ion Voicu | E Major | 0 | 12B | 74 BPM | ||
Rondo for Violin and Orchestra in C Major | Phillip Newbolt, The Royal Festival Orchestra | C Major | 2 | 8B | 97 BPM |
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