Leo Slezak's 'Morgenlich leuchtend (Die Meistersinger von Nürnberg)' came out on August 28, 2006. The duration of Morgenlich leuchtend (Die Meistersinger von Nürnberg) is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Morgenlich leuchtend (Die Meistersinger von Nürnberg)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Leo Slezak's "Lebendige Vergangenheit - Leo Slezak (Vol.2)" album is number 18 out of 25. Morgenlich leuchtend (Die Meistersinger von Nürnberg) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Morgenlich leuchtend (Die Meistersinger von Nürnberg) by Leo Slezak to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Otello: Assisa a’ piè d’un salice | Gioachino Rossini, Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | ||
Magische Töne (Die Königen von Saba, Act II) | Karl Goldmark, Leo Slezak | A Minor | 2 | 8A | 79 BPM | ||
Norma, Act II: Cedi! Deh, cedi! (Critical Ed. Maurizio Biondi and Riccardo Minasi) - Edit | Vincenzo Bellini, Sumi Jo, Cecilia Bartoli, Orchestra La Scintilla, Giovanni Antonini | D Major | 2 | 10B | 131 BPM | ||
Die Kaiserin, Akt III: "'s Glück ist in der Näh'" | Leo Fall, Orchester des Kölner Rundfunks, Franz Marszalek, Anny Schlemm, Franz Fehringer, Willy Schneider, Gretl Schörg, Willy Hofmann, Paul Bürks, Annelie Jansen, Ursula Feldhege, Franz Wolf, Hans Remagen, Julius Gamon | F♯ Minor | 1 | 11A | 121 BPM | ||
Don Sanche (The Castle of Love), S476/R13: Part I: Recitative and Arioso: Sous cette voute de feuillage ... (Under this foliage tent, Zelis ...) (Elzire, Don Sanche) | Franz Liszt, Gérard Garino, Julia Hamari, Istvan Gati, Katalin Farkas, Ildiko Komlosi, Mária Zádori, Gábor Kállay, Hungarian Radio and Television Chorus, Hungarian State Opera Orchestra, Tamas Pal | E Major | 2 | 12B | 90 BPM | ||
6 Gedichte, Op. 14: No. 6, Vergessene Lieder, vergessene Lieb | Ernst von Dohnányi, Victor Heindl, Äneas Humm, Judit Polgar | G Minor | 2 | 6A | 76 BPM | ||
Annelies (chamber version): V. Life in hiding | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | A Minor | 1 | 8A | 78 BPM | ||
La vestale, Act I: Scène. Grands dieux ! Soutenez ma faiblesse | Gaspare Spontini, Marina Rebeka, Aude Extrémo, Stanislas de Barbeyrac, Tassis Christoyannis, Nicolas Courjal, David Witczak, Flemish Radio Choir, Les Talens Lyriques, Christophe Rousset | B♭ Major | 3 | 6B | 78 BPM | ||
Don Gil de Alcalá: Juntos en Este Jardín (Romanza de Don Gil) - Remastered | Manuel Penella, Marcos Redondo | F♯ Major | 2 | 2B | 69 BPM | ||
Der Lenz - "Die Finken Schlagen" | Leo Slezak | D Major | 3 | 10B | 60 BPM |
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