"Magische Töne (Die Königen von Saba, Act II)" by Karl Goldmark, Leo Slezak was released on February 2, 2009. The duration of Magische Töne (Die Königen von Saba, Act II) is about 3 minutes long, at 3:12. Based on our data, "Magische Töne (Die Königen von Saba, Act II)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 215 in the song's album "The Record of Singing 1899-1952". In this album, this song's track order is #20. Magische Töne (Die Königen von Saba, Act II) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Magische Töne (Die Königen von Saba, Act II) by Karl Goldmark, Leo Slezak having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 3 in C Major, Op. 144: II. Largo | Carl Reinecke, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas | A♭ Major | 0 | 4B | 58 BPM | ||
Le roi s'amuse: Madrigal | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 0 | 11B | 82 BPM | ||
Concertstück in F Major, Op. 86: III. Sehr Lebhaft | Robert Bonnevie, Mark Robbins, David C. Knapp, Scott Wilson, Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | F Major | 1 | 7B | 132 BPM | ||
Symphony No. 2 in C Major, Op. 61: II. Scherzo - Trio I - Trio 2 - Coda. Allegro vivace | Robert Schumann, Dresdner Philharmonie, Marek Janowski | D Major | 2 | 10B | 135 BPM | ||
Gli uccelli, P. 154: V. Il cucù | Ottorino Respighi, Orchestre Philharmonique Royal de Liège, John Neschling | A Major | 0 | 11B | 80 BPM | ||
Il Barbiere Di Siviglia: Overture | Gioachino Rossini, Donato Renzetti, Orchestra Filarmonica Gioachino Rossini | G Major | 2 | 9B | 136 BPM | ||
Suite for Violin & Piano in E-Flat Major, Op. 43: II. Andante | Karl Goldmark, Ulf Wallin, Bruno Canino | C Major | 1 | 8B | 127 BPM | ||
The Lark Ascending: IV. Senza misura | Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor | D Minor | 2 | 7A | 90 BPM | ||
Jesus of Nazareth - Epic Orchestral Version | Stavros Kleisiaris | E Minor | 1 | 9A | 140 BPM | ||
Mini Swan Lake Waltz | Dick Walter, David Walter | F♯ Minor | 3 | 11A | 107 BPM |
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