Piano Concerto No. 3 in C Major, Op. 144: II. Largo
Carl Reinecke, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas
Reinecke: Piano Concerto No. 3 in C Major, Op. 144: II. Largo
8:29 May 17, 2024
BPM
58
Key
A♭ Major
Camelot
4B

Embed

Share Link

Piano Concerto No. 3 in C Major, Op. 144: II. Largo - Carl Reinecke, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas Information

Acousticness
99%
Danceability
13%
Energy
3%
Instrumentalness
90%
Liveness
8%
Loudness
53%
Speechiness
4%
Valence
4%
Popularity
Loudness
-28.124 dB

Summary

"Piano Concerto No. 3 in C Major, Op. 144: II. Largo" by Carl Reinecke, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas was released on May 17, 2024. Since Piano Concerto No. 3 in C Major, Op. 144: II. Largo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Since Reinecke: Piano Concerto No. 3 in C Major, Op. 144: II. Largo only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from United Kingdom. Piano Concerto No. 3 in C Major, Op. 144: II. Largo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Piano Concerto No. 3 in C Major, Op. 144: II. Largo BPM

With Piano Concerto No. 3 in C Major, Op. 144: II. Largo by Carl Reinecke, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas having a BPM of 58 with a half-time of 29 BPM and a double-time of 116 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.

Piano Concerto No. 3 in C Major, Op. 144: II. Largo Key

A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Bacchus, Act III Tableau 2: Les Mysteres dionysiaques: Initiation II by Jules Massenet, Barcelona Symphony and Catalonia National Orchestra, Patrick GalloisBacchus, Act III Tableau 2: Les Mysteres dionysiaques: Initiation IIJules Massenet, Barcelona Symphony and Catalonia National Orchestra, Patrick GalloisF Major17B89 BPM
The Music Makers, Op. 69: I. Introduction. Moderato by Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon WrightThe Music Makers, Op. 69: I. Introduction. ModeratoEdward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon WrightG Major29B85 BPM
Focus by Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van ZwedenFocusJohannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van ZwedenC Major18B144 BPM
Piano Quintet in A Major, Op. 114, D. 667 Piano Quintet in A Major, Op. 114, D. 667 "Die Forelle": IV. Tema con variazione. Andantino (Excerpt)Franz Schubert, Istvan Toth, Jenő Jandó, Kodály QuartetD Major110B165 BPM
L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto by Georges Bizet, Jesús López-Cobos, Cincinnati Symphony OrchestraL’arlésienne Suite No. 1, Op. 23bis, WD 40: III. AdagiettoGeorges Bizet, Jesús López-Cobos, Cincinnati Symphony OrchestraF Major17B60 BPM
Notturno in F major Op.6 No.2: Notturno in F major Op.6 No.2 by Clara Schumann, William HowardNotturno in F major Op.6 No.2: Notturno in F major Op.6 No.2Clara Schumann, William HowardF Major07B71 BPM
Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto by Gabriel Fauré, Frankfurt Radio Symphony Orchestra, Paavo JärviPelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi AllegrettoGabriel Fauré, Frankfurt Radio Symphony Orchestra, Paavo JärviG Major09B129 BPM
2 Sketches: A Northern Dance by Adam Carse, Royal Northern Sinfonia, David Lloyd-Jones2 Sketches: A Northern DanceAdam Carse, Royal Northern Sinfonia, David Lloyd-JonesA Minor28A136 BPM
Symphony No. 2, Op. 52, Symphony No. 2, Op. 52, "Lobgesang": I. Sinfonia: II. Allegretto un poco agitatoFelix Mendelssohn, Tonhalle-Orchester Zürich, Paavo JärviE Major112B72 BPM
Six Moments musicaux Op. 16: No. 5, Adagio sostenuto by Sergei Rachmaninoff, Salih Can GevrekSix Moments musicaux Op. 16: No. 5, Adagio sostenutoSergei Rachmaninoff, Salih Can GevrekD♭ Major03B73 BPM
ISRC
GBAJY2442902
Label
L-M Records/RCA Records

Section: 0.659306526184082

End: 0.6681704521179199