"Piano Concerto No. 3 in C Major, Op. 144: II. Largo" by Carl Reinecke, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas was released on May 17, 2024. Since Piano Concerto No. 3 in C Major, Op. 144: II. Largo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Since Reinecke: Piano Concerto No. 3 in C Major, Op. 144: II. Largo only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from United Kingdom. Piano Concerto No. 3 in C Major, Op. 144: II. Largo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No. 3 in C Major, Op. 144: II. Largo by Carl Reinecke, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas having a BPM of 58 with a half-time of 29 BPM and a double-time of 116 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bacchus, Act III Tableau 2: Les Mysteres dionysiaques: Initiation II | Jules Massenet, Barcelona Symphony and Catalonia National Orchestra, Patrick Gallois | F Major | 1 | 7B | 89 BPM | ||
The Music Makers, Op. 69: I. Introduction. Moderato | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
Focus | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | C Major | 1 | 8B | 144 BPM | ||
Piano Quintet in A Major, Op. 114, D. 667 "Die Forelle": IV. Tema con variazione. Andantino (Excerpt) | Franz Schubert, Istvan Toth, Jenő Jandó, Kodály Quartet | D Major | 1 | 10B | 165 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto | Georges Bizet, Jesús López-Cobos, Cincinnati Symphony Orchestra | F Major | 1 | 7B | 60 BPM | ||
Notturno in F major Op.6 No.2: Notturno in F major Op.6 No.2 | Clara Schumann, William Howard | F Major | 0 | 7B | 71 BPM | ||
Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Frankfurt Radio Symphony Orchestra, Paavo Järvi | G Major | 0 | 9B | 129 BPM | ||
2 Sketches: A Northern Dance | Adam Carse, Royal Northern Sinfonia, David Lloyd-Jones | A Minor | 2 | 8A | 136 BPM | ||
Symphony No. 2, Op. 52, "Lobgesang": I. Sinfonia: II. Allegretto un poco agitato | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Six Moments musicaux Op. 16: No. 5, Adagio sostenuto | Sergei Rachmaninoff, Salih Can Gevrek | D♭ Major | 0 | 3B | 73 BPM |
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