6 Gedichte, Op. 14: No. 6, Vergessene Lieder, vergessene Lieb - Ernst von Dohnányi, Victor Heindl, Äneas Humm, Judit Polgar Information

Acousticness: 97%
Danceability: 32%
Energy: 16%
Instrumentalness: 0%
Liveness: 10%
Loudness: 70%
Speechiness: 5%
Valence: 6%
Popularity: 0%
Loudness: -17.761 dB

Summary

"6 Gedichte, Op. 14: No. 6, Vergessene Lieder, vergessene Lieb" by Ernst von Dohnányi, Victor Heindl, Äneas Humm, Judit Polgar had its release date on May 17, 2024. With This song being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. Because this song is the only song in Dohnányi: 6 Gedichte, Op. 14: No. 6, Vergessene Lieder, vergessene Lieb and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. 6 Gedichte, Op. 14: No. 6, Vergessene Lieder, vergessene Lieb is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

6 Gedichte, Op. 14: No. 6, Vergessene Lieder, vergessene Lieb BPM

The tempo marking of 6 Gedichte, Op. 14: No. 6, Vergessene Lieder, vergessene Lieb by Ernst von Dohnányi, Victor Heindl, Äneas Humm, Judit Polgar is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

6 Gedichte, Op. 14: No. 6, Vergessene Lieder, vergessene Lieb Key

G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Barcarolle No. 3 in G-Flat Major, Op. 42	Gabriel Fauré, Pierre-Alain Volondat	F♯ Major	0	2B	78 BPM
String Quartet No. 1 in G Minor: V. I. Allegro moderato	Ralph Vaughan Williams, Verdi Quartett	G Major	1	9B	82 BPM
Piano Trio in G Major, CD 5: III. Andante espressivo	Claude Debussy, Florestan Trio	A♭ Major	1	4B	118 BPM
Tristan und Isolde, WWV 90: VII, Schmachtende Liebe, jauchzende Lust - Paraphrase for String Septet by Martina Trumpp	Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord	B Major	2	1B	85 BPM
Tristan und Isolde, WWV 90: VIII, Ankunft an der Burg - Paraphrase for String Septet by Martina Trumpp	Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord	B Major	2	1B	85 BPM
6 Impromptus, Op. 5: No. 5 in B Minor	Jean Sibelius, Carmen Stefanescu	B Minor	1	10A	69 BPM
Kinderszenen, Op. 15 (transcribed for cello and piano by Thedéen & Shirinyan): No. 7 Träumerei	Robert Schumann, Marianna Shirinyan, Torleif Thedéen	G Minor	4	6A	148 BPM
O, Cease Thy Singing (Oh Never Sing to Me Again), Op. 4 No. 4	Earl Wild, Sergei Rachmaninoff, Giovanni Doria Miglietta	G Major	2	9B	87 BPM
6 Pieces, Op. 41: No. 5. Landler	Ernst von Dohnányi, Laszlo Baranyay	D Major	0	10B	82 BPM
Prélude, Op. 10 No. 1	Anatoly Lyadov, Yoko Kikuchi	D♭ Major	1	3B	77 BPM

ISRC: CHE272402319
Label: L-M Records/RCA Records