"Der Lenz - "Die Finken Schlagen"" by Leo Slezak was released on May 5, 2010. With Der Lenz - "Die Finken Schlagen" being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Leo Slezak's "Musikalische Erinnerungen Zum 50.Todestag" album is number 3 out of 22. On top of that, Germany appears to be the country where this track was created. Der Lenz - "Die Finken Schlagen" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Der Lenz - "Die Finken Schlagen" by Leo Slezak to be Lento (slowly) because the track has a tempo of 60 BPM, a half-time of 30BPM, and a double-time of 120 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater, Op. 58, B. 71: II. Quis est homo, qui non fleret. Andante sostenuto | Antonín Dvořák, Eva Urbanova, Marta Benackova, John Uhlenhopp, Peter Mikuláš, Prague Symphony Orchestra, Jiří Bělohlávek | D Major | 0 | 10B | 84 BPM | ||
Les Pêcheurs de perles: O lumière sainte (Leïla, Nadir, Zurga) | Georges Bizet, Janine Micheau/Nicolai Gedda/Ernest Blanc/Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'Opera Comique | G Major | 3 | 9B | 84 BPM | ||
Schumann: Liederkreis, Op. 39: No. 1, In der Fremde | Robert Schumann, Elisabeth Leonskaja, Brigitte Fassbaender | A Minor | 0 | 8A | 74 BPM | ||
Die Entführung aus dem Serail, K. 384, Act II: Frisch zum Kampfe - Remastered 2024 | Wolfgang Amadeus Mozart, Peter Klein, Endre Koreh, Wiener Philharmoniker, Josef Krips | B♭ Major | 1 | 6B | 96 BPM | ||
Morgenlich leuchtend (Die Meistersinger von Nürnberg) | Leo Slezak, Orchester der Staatsoper | C Major | 3 | 8B | 69 BPM | ||
La dame blanche, Act II: Komm, o holde Dame (Sung in German) | François-Adrien Boieldieu, Leo Slezak | E Major | 1 | 12B | 172 BPM | ||
Holde Aida (Aida) | Leo Slezak | B♭ Major | 1 | 6B | 137 BPM | ||
Requiem: Mors stupebit | Xavier Benguerel, Cor de Cambra del Palau de la Musica Catalana, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Dalmau González, Lluís Sintes, Maribel Ortega, Marisa Martins, Matteo Suk, Miquel Ortega | D Major | 1 | 10B | 80 BPM | ||
Otello: Ora e per sempre addio (Recorded 1912) | Giuseppe Verdi, Leo Slezak | A♭ Major | 3 | 4B | 65 BPM | ||
Charpentier: Te Deum, H. 146: V. Te per orbem terrarum | Marc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Ann Murray, John Aler, Kurt Moll | D Major | 0 | 10B | 87 BPM |
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