- BPM
- 81
- Key
- F Major
- Camelot
- 7B
Medea (Medee) (Sung in Italian): Act I: O bella Glauce (Chorus) - Luigi Cherubini, Maria Callas, Carlos Guichandut, Fedora Barbieri, Gabriella Tucci, Mario Petri, Mario Frosini, Liliana Poli, Maria Andreassi, Fiorentino Maggio Musicale Chorus, Orchestra del Maggio Musicale Fiorentino, Andrea Morosini Information
- Acousticness
- 99%
- Danceability
- 21%
- Energy
- 8%
- Instrumentalness
- 11%
- Liveness
- 52%
- Loudness
- 65%
- Speechiness
- 5%
- Valence
- 7%
- Popularity
- 1%
- Loudness
- -21.197 dB
Summary
"Medea (Medee) (Sung in Italian): Act I: O bella Glauce (Chorus)" by Luigi Cherubini, Maria Callas, Carlos Guichandut, Fedora Barbieri, Gabriella Tucci, Mario Petri, Mario Frosini, Liliana Poli, Maria Andreassi, Fiorentino Maggio Musicale Chorus, Orchestra del Maggio Musicale Fiorentino, Andrea Morosini was released on January 1, 2003. With this song being about 5 minutes long, at 4:35, "Medea (Medee) (Sung in Italian): Act I: O bella Glauce (Chorus)" by Luigi Cherubini, Maria Callas, Carlos Guichandut, Fedora Barbieri, Gabriella Tucci, Mario Petri, Mario Frosini, Liliana Poli, Maria Andreassi, Fiorentino Maggio Musicale Chorus, Orchestra del Maggio Musicale Fiorentino, Andrea Morosini is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 5 out of 23 in Cherubini, L.: Medea [Opera] (1953) by Luigi Cherubini, Maria Callas, Andrea Morosini. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Medea (Medee) (Sung in Italian): Act I: O bella Glauce (Chorus) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Medea (Medee) (Sung in Italian): Act I: O bella Glauce (Chorus) BPM
The tempo marking of Medea (Medee) (Sung in Italian): Act I: O bella Glauce (Chorus) by Luigi Cherubini, Maria Callas, Carlos Guichandut, Fedora Barbieri, Gabriella Tucci, Mario Petri, Mario Frosini, Liliana Poli, Maria Andreassi, Fiorentino Maggio Musicale Chorus, Orchestra del Maggio Musicale Fiorentino, Andrea Morosini is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Medea (Medee) (Sung in Italian): Act I: O bella Glauce (Chorus) Key
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Requiem C-Moll: 1. Introitus | Luigi Cherubini, Akiho Tsujii, Martin Lattke, Paul Kroeger, Kammerchor der Frauenkirche, Philharmonisches Orchestra Altenburg Gera, Matthias Grünert | A♭ Major | 0 | 4B | 99 BPM | |
 | Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement | Marin Marais, Mieneke van der Velden, Glen Wilson | E♭ Minor | 0 | 2A | 120 BPM | |
 | Grande Messe des Morts: XIII. Sequentia: Confutatis - Allegro molto | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | G Minor | 2 | 6A | 84 BPM | |
 | Requiem, Op. 9 (1961 version): Kyrie | Maurice Duruflé, Didier Henry, Eric Lebrun, François Poly, Beatrice Uria-Monzon, Marc Vieillefon, Michel Piquemal Vocal Ensemble, Orchestre De La Cite, Michel Piquemal | F Major | 2 | 7B | 85 BPM | |
 | Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM | |
 | Pergolesi: Stabat mater: VIII. Fac ut ardeat cor meum | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 3 | 11A | 71 BPM | |
 | Prince Igor (Knyaz Igor): Act II: Polovtsian Dances - Ulyetay na kril'yahk vyetra (Fly away on the wings of the wind) (version for chorus) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | D Major | 2 | 10B | 110 BPM | |
 | Vespers, Op. 37: V. "Nyne otpushchayeshi" | Sergei Rachmaninoff, Vladimir Mostovoy, St.Petersburg Chamber Choir, Nikolai Korniev | F♯ Major | 0 | 2B | 135 BPM | |
 | Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | |
 | Sinfonia in D Major, "La Veneziana": I. Allegro assai | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 108 BPM |
- ISRC
- USB8U1005677
- Label
- L-M Records/RCA Records
Section: 0.6033854484558105
End: 0.6066710948944092