"Grande Messe des Morts: XIII. Sequentia: Confutatis - Allegro molto" by Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis was released on March 8, 2001. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Francois-Joseph Gossec's "Gossec: Grande Messe Des Morts / Symphonie A 17 Parties" album is number 13 out of 28. Grande Messe des Morts: XIII. Sequentia: Confutatis - Allegro molto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Grande Messe des Morts: XIII. Sequentia: Confutatis - Allegro molto by Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Semele, HWV 58 / Act 1: Endless Pleasure... | George Frideric Handel, Kathleen Battle, Ambrosian Opera Chorus, English Chamber Orchestra, John Nelson | F Major | 1 | 7B | 80 BPM | ||
Messa di Gloria: Credo in unum Deum | Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi | F♯ Minor | 0 | 11A | 97 BPM | ||
Missa pro defuncto Archiepiscopo Sigismundo, "Mass for the death of Archbishop Sigismund": Offertorium: Domine Jesu | Michael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth Rilling | G Minor | 1 | 6A | 83 BPM | ||
Dorilla in Tempe, RV 709, Act I: Rete, Iacci e strali adopra | Antonio Vivaldi, Roberta Invernizzi, La Risonanza, Fabio Bonizzoni | D Major | 3 | 10B | 127 BPM | ||
Mass No. 3 in F Minor, WAB 28: Agnus Dei | Anton Bruckner, Lenneke Ruiten, Iris Vermillion, Shawn Mathey, Franz-Josef Selig, Rundfunkchor Berlin, Orchestre de la Suisse Romande, Marek Janowski | B♭ Major | 1 | 6B | 114 BPM | ||
Stabat Mater, P. 77: I. Duo "Stabat Mater dolorosa" | Giovanni Battista Pergolesi, Bernarda Fink, Anna Prohaska, Akademie für Alte Musik Berlin | D Major | 2 | 10B | 97 BPM | ||
Miserere in C minor: Misere III | Thomas Hengelbrock | B Minor | 2 | 10A | 65 BPM | ||
In jener letzten der Nächte | Anton Bruckner, Philipp Sonntag, Robert Holzer, Thomas Kerbl, Regina Riel, Martin Kiener, Daniel Pannermayr, Isabell Czarnecki De Czarnce, Christian Schmidbauer | B Minor | 2 | 10A | 145 BPM | ||
Stabat Mater: VIII. Virgo virginum | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Verdi- Messa Da Requiem- 1. Requiem - Original | Sir Georg Solti, Vienna Philharmonic Solti | A Major | 1 | 11B | 73 BPM |
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