- BPM
- 85
- Key
- F Major
- Camelot
- 7B
Requiem, Op. 9 (1961 version): Kyrie - Maurice Duruflé, Didier Henry, Eric Lebrun, François Poly, Beatrice Uria-Monzon, Marc Vieillefon, Michel Piquemal Vocal Ensemble, Orchestre De La Cite, Michel Piquemal Information
- Acousticness
- 99%
- Danceability
- 9%
- Energy
- 25%
- Instrumentalness
- 86%
- Liveness
- 11%
- Loudness
- 72%
- Speechiness
- 4%
- Valence
- 5%
- Popularity
- 19%
- Loudness
- -16.969 dB
Summary
"Requiem, Op. 9 (1961 version): Kyrie" by Maurice Duruflé, Didier Henry, Eric Lebrun, François Poly, Beatrice Uria-Monzon, Marc Vieillefon, Michel Piquemal Vocal Ensemble, Orchestre De La Cite, Michel Piquemal was released on June 8, 1995. The duration of Requiem, Op. 9 (1961 version): Kyrie is about 3 minutes long, at 3:23. Based on our data, "Requiem, Op. 9 (1961 version): Kyrie" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 17 in Durufle: Requiem / 4 Motets / Prelude and Fugue by Maurice Duruflé, Michel Piquemal. Requiem, Op. 9 (1961 version): Kyrie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Requiem, Op. 9 (1961 version): Kyrie BPM
The tempo marking of Requiem, Op. 9 (1961 version): Kyrie by Maurice Duruflé, Didier Henry, Eric Lebrun, François Poly, Beatrice Uria-Monzon, Marc Vieillefon, Michel Piquemal Vocal Ensemble, Orchestre De La Cite, Michel Piquemal is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Requiem, Op. 9 (1961 version): Kyrie Key
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | In ecclesiis (a 14), C78 | Giovanni Gabrieli, His Majestys Sagbutts & Cornetts, Ensemble of King's College, Cambridge, Stephen Cleobury | A Minor | 1 | 8A | 79 BPM | |
 | Cantemus Domino | Gioachino Rossini, Ensemble Vocal Michel Piquemal, Michel Piquemal | E♭ Major | 2 | 5B | 125 BPM | |
 | Ave maris stella | Guillaume Dufay, Blue Heron, Scott Metcalfe | A Minor | 0 | 8A | 70 BPM | |
 | Requiem In D Minor, K.626: 5. Sanctus | Wolfgang Amadeus Mozart, Wiener Singverein, Wiener Philharmoniker, Herbert von Karajan | D Major | 4 | 10B | 69 BPM | |
 | Suite No. 3, P. 172: III. Siciliana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | C Minor | 0 | 5A | 93 BPM | |
 | Brook Green Suite: II. Air | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 1 | 7B | 127 BPM | |
 | Serse / Act 1, HWV 40: "Ombra mai fu" | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E Major | 2 | 12B | 175 BPM | |
 | 8-part Crucifixus | Antonio Lotti, Tenebrae | C Minor | 1 | 5A | 171 BPM | |
 | Die Schöpfung (The Creation), H. 21/2: III Sequentia: Dies Irae | Nikolaus Harnoncourt | D♭ Major | 1 | 3B | 75 BPM | |
 | Requiem In D Minor, K. 626: Sequence: VI. Lacrimosa Dies Illa | Slovak Philharmonic, Jaroslava Horska, Vladimir Ruso, Peter Mikulas, Stefan Klimo, Slovak Philharmonic Chorus, Jozef Kundlák, Magdaléna Hajóssyová, Wolfgang Amadeus Mozart | D Minor | 1 | 7A | 180 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7753620147705078
End: 0.7792303562164307