"The Armed Man - A Mass For Peace: III. Kyrie" by Karl Jenkins, Mike Brewer, London Philharmonic Orchestra was released on 2001. Since The Armed Man - A Mass For Peace: III. Kyrie is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 13 in the song's album "The Armed Man: A Mass For Peace". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. The Armed Man - A Mass For Peace: III. Kyrie is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Armed Man - A Mass For Peace: III. Kyrie by Karl Jenkins, Mike Brewer, London Philharmonic Orchestra having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": II. Largo | Antonín Dvořák, Mariss Jansons, Oslo Philharmonic Orchestra | D♭ Major | 0 | 3B | 73 BPM | ||
Cantata Memoria: Pitran, Patran | Karl Jenkins, Elin Manahan Thomas, Côr Heol y March, Cor Y Cwm, Cywair, Cor Caerdydd, Cf1, Catrin Finch, Jody Jenkins, Sinfonia Cymru | A Major | 2 | 11B | 120 BPM | ||
Turandot / Act 2: Tre enigmi m'hai proposto | Giacomo Puccini, Luciano Pavarotti, Sir Peter Pears, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | C Minor | 3 | 5A | 94 BPM | ||
Nabucco: Va, pensiero, "Chorus of Hebrew Slaves" | Giuseppe Verdi, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Oliver von Dohnanyi | D♭ Major | 0 | 3B | 71 BPM | ||
Les Indes Galantes - Musette en Rondeau | Jean-Philippe Rameau, Jordi Savall, Le Concert Des Nations | F♯ Major | 2 | 2B | 0 BPM | ||
Stabat Mater: Stabat Mater Dolorosa | Agostino Steffani, Cecilia Bartoli, I Barocchisti, Diego Fasolis | B Major | 0 | 1B | 64 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Shostakovich: Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Mikhail Rudy, Mariss Jansons, London Philharmonic Orchestra | C Major | 1 | 8B | 68 BPM | ||
Spem In Alium (Tallis) | The King's Singers | B♭ Major | 2 | 6B | 138 BPM | ||
Poème de Théophile de Viau: À Chloris | Reynaldo Hahn, Marie-Nicole Lemieux | E♭ Major | 1 | 5B | 59 BPM |
Section: 0.7085485458374023
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