"Shostakovich: Piano Concerto No. 2 in F Major, Op. 102: II. Andante" by Dmitri Shostakovich, Mikhail Rudy, Mariss Jansons, London Philharmonic Orchestra was released on January 1, 2003. Shostakovich: Piano Concerto No. 2 in F Major, Op. 102: II. Andante is about six minutes long, preciously at 6:22, making this song fairly long compared to other songs. There are a total of 11 in the song's album "Shostakovich: Klavierkonzerte Nr. 1 & 2, Sinfonie Nr. 1". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Shostakovich: Piano Concerto No. 2 in F Major, Op. 102: II. Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Shostakovich: Piano Concerto No. 2 in F Major, Op. 102: II. Andante by Dmitri Shostakovich, Mikhail Rudy, Mariss Jansons, London Philharmonic Orchestra having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Bernard Haitink, London Symphony Orchestra | F Minor | 0 | 4A | 71 BPM | ||
Puppentänze: No. 3, Romanze | Dmitri Shostakovich, Anna Vinnitskaya | G Minor | 0 | 6A | 97 BPM | ||
Gluck / Arr. Kreisler: Mélodie (From Orfeo ed Euricide, Wq. 30) | Christoph Willibald Gluck, Vilde Frang | D Minor | 0 | 7A | 164 BPM | ||
Mascagni: Cavalleria rusticana: Intermezzo | Pietro Mascagni, Mariss Jansons, Oslo Philharmonic Orchestra | F Major | 1 | 7B | 88 BPM | ||
Adagio cantabile in G/G-dur/sol majeur for Cello and String Orchestra | Joseph Haydn, Steven Isserlis, Sir Roger Norrington | G Major | 2 | 9B | 86 BPM | ||
Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: No. 1 in E Major, Op. 19, No. 1 | Felix Mendelssohn, Péter Nagy | A Major | 0 | 11B | 85 BPM | ||
Serse, HWV 40 / Act 1: "Ombra mai fu" (Arr. for Oboe) | George Frideric Handel, Edward Brewer, Randall Wolfgang, Orpheus Chamber Orchestra | F Major | 1 | 7B | 79 BPM | ||
Wagner: Die Walküre, Act III: Ride of the Walkyries | Richard Wagner, Mariss Jansons, Oslo Philharmonic Orchestra | B Major | 4 | 1B | 105 BPM | ||
Polifemo: Alto giove (Air d'Acio) - Instrumental Version | Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska, Derek Lee Ragin | E♭ Minor | 0 | 2A | 141 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297, "Winter": II. Largo | Antonio Vivaldi, Yehudi Menuhin, Paul Cocker, Alberto Lysy, Camerata Lysy Gstaad | B♭ Major | 1 | 6B | 142 BPM |
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