"Gluck / Arr. Kreisler: Mélodie (From Orfeo ed Euricide, Wq. 30)" by Christoph Willibald Gluck, Vilde Frang was released on September 1, 2017. The duration of Gluck / Arr. Kreisler: Mélodie (From Orfeo ed Euricide, Wq. 30) is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Gluck / Arr. Kreisler: Mélodie (From Orfeo ed Euricide, Wq. 30)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Vilde Frang's "Homage" album is number 4 out of 17. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Gluck / Arr. Kreisler: Mélodie (From Orfeo ed Euricide, Wq. 30) is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gluck / Arr. Kreisler: Mélodie (From Orfeo ed Euricide, Wq. 30) by Christoph Willibald Gluck, Vilde Frang to be Vivace (lively and fast) because the track has a tempo of 164 BPM, a half-time of 82BPM, and a double-time of 328 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne in B Flat Major, H. 37 (Version for Harp) | John Field, Magdalena Hoffmann | B♭ Major | 1 | 6B | 97 BPM | ||
Piano Sonata No. 20 in A Major, D. 959: II. Andantino | Franz Schubert, Arcadi Volodos | B Minor | 0 | 10A | 69 BPM | ||
Variations On A Theme By Chopin: Variation 1. Tranquillo e molto amabile | Federico Mompou, Daniil Trifonov | A Major | 0 | 11B | 66 BPM | ||
Passion selon Saint-Matthieu, BWV 244: "Erbarme dich, mein Gott" | Johann Sebastian Bach, Christian-Pierre La Marca, Alexis Kossenko, Les Ambassadeurs, Zefira Valova | E Minor | 2 | 9A | 118 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Nocturno | Manuel de Falla, Javier Perianes | F Minor | 0 | 4A | 129 BPM | ||
Piano Sonata No. 9 in F Minor: I. Andante spiritoso | Baldassare Galuppi, Víkingur Ólafsson | F Minor | 0 | 4A | 73 BPM | ||
Scheherazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Aleksandar Sedlar, Nemanja Radulović, Double Sens, Stéphanie Fontanarosa | C Major | 1 | 8B | 74 BPM | ||
Couperin, F: Second Livre de pièces de clavecin, Sixième Ordre: Les baricades mïstérieuses | François Couperin, Jean Rondeau | A Major | 1 | 11B | 145 BPM | ||
Lieder ohne Worte, Book 1, Op. 19b: VI. Andante sostenuto "Venetianisches Gondellied", MWV U78 | Felix Mendelssohn, Javier Perianes | A Major | 2 | 11B | 103 BPM |
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