"Scheherazade, Op. 35: I. The Sea and Sinbad's Ship" by Nikolai Rimsky-Korsakov, Aleksandar Sedlar, Nemanja Radulović, Double Sens, Stéphanie Fontanarosa was released on October 5, 2018. The duration of Scheherazade, Op. 35: I. The Sea and Sinbad's Ship is about 3 minutes long, at 3:13. Based on our data, "Scheherazade, Op. 35: I. The Sea and Sinbad's Ship" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Since Rimsky-Korsakov, Sedlar: Symphonic Suite based on Rimsky-Korsakov’s Scheherazade, Op. 35: 1. The Sea and Sinbad's Ship only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Germany. Scheherazade, Op. 35: I. The Sea and Sinbad's Ship is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Scheherazade, Op. 35: I. The Sea and Sinbad's Ship by Nikolai Rimsky-Korsakov, Aleksandar Sedlar, Nemanja Radulović, Double Sens, Stéphanie Fontanarosa having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in A minor, Op. 82: 1. Moderato | Alexander Glazunov, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | F Major | 1 | 7B | 80 BPM | ||
Symphony No. 5 In C Sharp Minor: 4. Adagietto (Sehr langsam) - Excerpt | Gustav Mahler, Bavarian Radio Symphony Orchestra, Rafael Kubelík | B♭ Major | 0 | 6B | 93 BPM | ||
Gypsy Melodies, Op. 55, B. 104: IV. Songs My Mother Taught Me (Adapt. for Cello and Orchestra) | Antonín Dvořák, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | C Minor | 1 | 5A | 100 BPM | ||
Impromptu for Viola & Piano, Op. 33 | Dmitri Shostakovich, Matthew Lipman, Henry Kramer | A Minor | 0 | 8A | 98 BPM | ||
Nocturne-serenade, Op. 45 | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | B♭ Major | 0 | 6B | 108 BPM | ||
Violin Concerto in D Major, Op. 35, TH. 59: II. Romance: Andante | Erich Wolfgang Korngold, Anne-Sophie Mutter, London Symphony Orchestra, André Previn | G Major | 1 | 9B | 73 BPM | ||
Tale of Tsar Saltan, Op. 57 (arr. S. Rachmaninov for piano): The Tale of Tsar Saltan: Flight of the Bumble-bee | Sergei Rachmaninoff, Nikolai Rimsky-Korsakov, RueiBin Chen | B♭ Major | 3 | 6B | 100 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act II: "Mon coeur s'ouvre à ta voix" Cantabile (Transcribed for Cello and Orchestra) | Camille Saint-Saëns, Camille Thomas, Orchestre National de Lille, Alexandre Bloch | D♭ Major | 1 | 3B | 77 BPM | ||
Romance in F for Viola & Orchestra, Op.85 | Max Bruch, Janine Jansen, Gewandhausorchester Leipzig, Riccardo Chailly | F Major | 1 | 7B | 99 BPM | ||
Violin Sonata No. 3 in C Minor, Op. 45: III. Allegro animato | Edvard Grieg, Renaud Capuçon, Khatia Buniatishvili | A♭ Major | 1 | 4B | 122 BPM |
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