"Samson et Dalila, Op. 47, R. 288 / Act II: "Mon coeur s'ouvre à ta voix" Cantabile (Transcribed for Cello and Orchestra)" by Camille Saint-Saëns, Camille Thomas, Orchestre National de Lille, Alexandre Bloch was released on January 21, 2021. Samson et Dalila, Op. 47, R. 288 / Act II: "Mon coeur s'ouvre à ta voix" Cantabile (Transcribed for Cello and Orchestra) is about six minutes long, preciously at 5:50, making this song fairly long compared to other songs. There are a total of 84 in the song's album "Stay at Home with Saint-Saëns". In this album, this song's track order is #60. Samson et Dalila, Op. 47, R. 288 / Act II: "Mon coeur s'ouvre à ta voix" Cantabile (Transcribed for Cello and Orchestra) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Samson et Dalila, Op. 47, R. 288 / Act II: "Mon coeur s'ouvre à ta voix" Cantabile (Transcribed for Cello and Orchestra) by Camille Saint-Saëns, Camille Thomas, Orchestre National de Lille, Alexandre Bloch having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Sonata in B-Flat Major, Op. 46: II. Andante sostenuto | Louise Farrenc, David Berlin, Benjamin Martin | E♭ Major | 0 | 5B | 116 BPM | ||
Le Carnaval des Animaux, R. 125: Le Cygne | Camille Saint-Saëns, Mischa Maisky, Martha Argerich, Nelson Freire | G Major | 0 | 9B | 90 BPM | ||
Cello Concerto No. 1 in C Major, Hob. VIIb:1: II. Adagio | Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra | F Major | 1 | 7B | 62 BPM | ||
Thaïs: Méditation (Arr. for Violin and Orchestra) | Jules Massenet, Joshua Bell, Nigel Hess, Royal Philharmonic Orchestra | D Major | 2 | 10B | 95 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Piano Sonata No. 9 in F Minor: I. Andante spiritoso | Baldassare Galuppi, Víkingur Ólafsson | F Minor | 0 | 4A | 73 BPM | ||
Divertimento No. 6 in G Major, Op. 38: Divertimento No. 6 in G Major, Op. 38 | Carl Maria von Weber, Ensemble 3 Mouvements | G Major | 0 | 9B | 119 BPM | ||
V. Pieds-en-l'air | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | G Major | 0 | 9B | 85 BPM | ||
Saint-Saëns: 6 Études, Op. 111: No. 4, Les cloches de Las Palmas | Camille Saint-Saëns, Bertrand Chamayou | D♭ Minor | 1 | 12A | 133 BPM | ||
24 Preludes for Cello and Piano, Op. 47: Prelude No. 24 (Vivo) | Lera Auerbach, Camille Thomas, Beatrice Berrut | A Minor | 2 | 8A | 87 BPM |
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