"Samson et Dalila, Op. 47, R. 288 / Act II: "Mon coeur s'ouvre à ta voix" Cantabile (Transcribed for Cello and Orchestra)" by Camille Saint-Saëns, Camille Thomas, Orchestre National de Lille, Alexandre Bloch was released on January 21, 2021. Samson et Dalila, Op. 47, R. 288 / Act II: "Mon coeur s'ouvre à ta voix" Cantabile (Transcribed for Cello and Orchestra) is about six minutes long, preciously at 5:50, making this song fairly long compared to other songs. There are a total of 84 in the song's album "Stay at Home with Saint-Saëns". In this album, this song's track order is #60. Samson et Dalila, Op. 47, R. 288 / Act II: "Mon coeur s'ouvre à ta voix" Cantabile (Transcribed for Cello and Orchestra) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Samson et Dalila, Op. 47, R. 288 / Act II: "Mon coeur s'ouvre à ta voix" Cantabile (Transcribed for Cello and Orchestra) by Camille Saint-Saëns, Camille Thomas, Orchestre National de Lille, Alexandre Bloch having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
Suite No. 1, P. 109: I. Balletto Detto 'Il Conte Orlando': Allegretto Moderato | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 0 | 10B | 127 BPM | ||
Piano Sonata No. 2 in B-Flat Minor, Op. 35: III. Marche funèbre (Arr. Franchomme for 4 Cellos) | Frédéric Chopin, Camille Thomas, Wolfgang Emanuel Schmidt, Jaemin Han, Frans Helmerson | B Minor | 0 | 10A | 69 BPM | ||
Préludes / Book 1, L. 117: 8. La fille aux cheveux de lin | Claude Debussy, Jean-Rodolphe Kars | E♭ Minor | 0 | 2A | 73 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": Var. 9, Nimrod | Edward Elgar, Daniel Barenboim, London Philharmonic Orchestra | E♭ Major | 1 | 5B | 66 BPM | ||
Piano Concerto No.5 in F, Op.103 "Egyptian": 3. Molto allegro | Camille Saint-Saëns, Jean-Yves Thibaudet, Orchestre de la Suisse Romande, Charles Dutoit | C Major | 3 | 8B | 78 BPM | ||
Après un Rêve Op.7, No.1 | Gabriel Fauré, Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa | F Minor | 1 | 4A | 96 BPM | ||
Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Thaïs / Acte Deux: Meditation | Jules Massenet, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 95 BPM |
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