Samson et Dalila, Op. 47, R. 288 / Act II: "Mon coeur s'ouvre à ta voix" Cantabile (Transcribed for Cello and Orchestra)
Camille Saint-Saëns, Camille Thomas, Orchestre National de Lille, Alexandre Bloch
Stay at Home with Saint-Saëns
5:50 January 21, 2021
BPM
77
Key
D♭ Major
Camelot
3B

Embed

Share Link

Samson et Dalila, Op. 47, R. 288 / Act II: "Mon coeur s'ouvre à ta voix" Cantabile (Transcribed for Cello and Orchestra) - Camille Saint-Saëns, Camille Thomas, Orchestre National de Lille, Alexandre Bloch Information

Acousticness
97%
Danceability
9%
Energy
10%
Instrumentalness
82%
Liveness
11%
Loudness
63%
Speechiness
5%
Valence
5%
Popularity
Loudness
-22.45 dB

Summary

"Samson et Dalila, Op. 47, R. 288 / Act II: "Mon coeur s'ouvre à ta voix" Cantabile (Transcribed for Cello and Orchestra)" by Camille Saint-Saëns, Camille Thomas, Orchestre National de Lille, Alexandre Bloch was released on January 21, 2021. Samson et Dalila, Op. 47, R. 288 / Act II: "Mon coeur s'ouvre à ta voix" Cantabile (Transcribed for Cello and Orchestra) is about six minutes long, preciously at 5:50, making this song fairly long compared to other songs. There are a total of 84 in the song's album "Stay at Home with Saint-Saëns". In this album, this song's track order is #60. Samson et Dalila, Op. 47, R. 288 / Act II: "Mon coeur s'ouvre à ta voix" Cantabile (Transcribed for Cello and Orchestra) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Samson et Dalila, Op. 47, R. 288 / Act II: "Mon coeur s'ouvre à ta voix" Cantabile (Transcribed for Cello and Orchestra) BPM

With Samson et Dalila, Op. 47, R. 288 / Act II: "Mon coeur s'ouvre à ta voix" Cantabile (Transcribed for Cello and Orchestra) by Camille Saint-Saëns, Camille Thomas, Orchestre National de Lille, Alexandre Bloch having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Samson et Dalila, Op. 47, R. 288 / Act II: "Mon coeur s'ouvre à ta voix" Cantabile (Transcribed for Cello and Orchestra) Key

D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro by Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard SchwarzBach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. AllegroOttorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard SchwarzD Major210B126 BPM
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses by François Couperin, Alexandre TharaudPièces de Clavecin, Livre II, 6e ordre: V. Les Baricades MistérieusesFrançois Couperin, Alexandre TharaudB♭ Major16B111 BPM
Suite No. 1, P. 109: I. Balletto Detto 'Il Conte Orlando': Allegretto Moderato by Ottorino Respighi, RTÉ National Symphony OrchestraSuite No. 1, P. 109: I. Balletto Detto 'Il Conte Orlando': Allegretto ModeratoOttorino Respighi, RTÉ National Symphony OrchestraD Major010B127 BPM
Piano Sonata No. 2 in B-Flat Minor, Op. 35: III. Marche funèbre (Arr. Franchomme for 4 Cellos) by Frédéric Chopin, Camille Thomas, Wolfgang Emanuel Schmidt, Jaemin Han, Frans HelmersonPiano Sonata No. 2 in B-Flat Minor, Op. 35: III. Marche funèbre (Arr. Franchomme for 4 Cellos)Frédéric Chopin, Camille Thomas, Wolfgang Emanuel Schmidt, Jaemin Han, Frans HelmersonB Minor010A69 BPM
Préludes / Book 1, L. 117: 8. La fille aux cheveux de lin by Claude Debussy, Jean-Rodolphe KarsPréludes / Book 1, L. 117: 8. La fille aux cheveux de linClaude Debussy, Jean-Rodolphe KarsE♭ Minor02A73 BPM
Variations on an Original Theme, Op. 36 Variations on an Original Theme, Op. 36 "Enigma": Var. 9, NimrodEdward Elgar, Daniel Barenboim, London Philharmonic OrchestraE♭ Major15B66 BPM
Piano Concerto No.5 in F, Op.103 Piano Concerto No.5 in F, Op.103 "Egyptian": 3. Molto allegroCamille Saint-Saëns, Jean-Yves Thibaudet, Orchestre de la Suisse Romande, Charles DutoitC Major38B78 BPM
Après un Rêve Op.7, No.1 by Gabriel Fauré, Jules Eskin, Boston Symphony Orchestra, Seiji OzawaAprès un Rêve Op.7, No.1Gabriel Fauré, Jules Eskin, Boston Symphony Orchestra, Seiji OzawaF Minor14A96 BPM
Peer Gynt Suite No. 2, Op. 55: IV. Solveig's Song by Edvard Grieg, Alice Sara OttPeer Gynt Suite No. 2, Op. 55: IV. Solveig's SongEdvard Grieg, Alice Sara OttD Major210B121 BPM
Thaïs / Acte Deux: Meditation by Jules Massenet, Michel Schwalbé, Berliner Philharmoniker, Herbert von KarajanThaïs / Acte Deux: MeditationJules Massenet, Michel Schwalbé, Berliner Philharmoniker, Herbert von KarajanE Minor19A95 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6513800621032715

End: 0.6550068855285645