"Variations on an Original Theme, Op. 36 "Enigma": Var. 9, Nimrod" by Edward Elgar, Daniel Barenboim, London Philharmonic Orchestra was released on 1974. The duration of Variations on an Original Theme, Op. 36 "Enigma": Var. 9, Nimrod is about 3 minutes long, at 3:29. Based on our data, "Variations on an Original Theme, Op. 36 "Enigma": Var. 9, Nimrod" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 16 out of 21 in Elgar: Cello Concerto & "Enigma" Variations by Edward Elgar, Daniel Barnboim, Jacqueline du Pré, London Philharmonic Orchestra, The Philadelphia Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Variations on an Original Theme, Op. 36 "Enigma": Var. 9, Nimrod is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Variations on an Original Theme, Op. 36 "Enigma": Var. 9, Nimrod by Edward Elgar, Daniel Barenboim, London Philharmonic Orchestra is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
FOR YOU - 『水の旅人-侍 Kids』より | Joe Hisaishi, London Philharmonic Orchestra | D Major | 2 | 10B | 81 BPM | ||
Symphony No. 1 in G Major: II. Andante | Hubert Parry, Matthias Bamert, London Philharmonic Orchestra | E♭ Major | 0 | 5B | 83 BPM | ||
Vaughan Williams: Symphony No. 4 in F Minor: I. Allegro | Ralph Vaughan Williams, Bernard Haitink, London Philharmonic Orchestra | A♭ Major | 2 | 4B | 87 BPM | ||
Elgar: Salut d'amour, Op. 12 (Orchestral Version) | Edward Elgar, Northern Sinfonia Of England, Richard Hickox, Royal Northern Sinfonia | E Major | 1 | 12B | 56 BPM | ||
Cello Concerto No. 3 in A Major, Wq. 172: III. Allegro assai | Carl Philipp Emanuel Bach, Daniel Müller-Schott, L'Arte del mondo, Werner Ehrhardt | E Major | 2 | 12B | 107 BPM | ||
Serenade for Strings in C Major, Op. 48, TH 48: II. Valse | Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic | D Major | 2 | 10B | 93 BPM | ||
Fauré: Requiem in D Minor, Op. 48: VII. In Paradisum | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | D Major | 0 | 10B | 147 BPM | ||
Holberg Suite, opus 40:Air (Andante religioso) | Academy of St. Martin in the Fields | G Minor | 1 | 6A | 67 BPM | ||
Ludus pro Patria, La Nuit et l'Amour: La Nuit et l'Amour: Interlude de l'ode symphonique - Ludus pro Patria | Augusta Holmès, Staatsphilharmonie Rheinland-Pfalz, Patrick Davin | B♭ Major | 0 | 6B | 78 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Orchestre Symphonique de Montréal, Charles Dutoit | A Minor | 0 | 8A | 125 BPM |
Section: 0.8530611991882324
End: 0.8562102317810059