"Wagner: Die Walküre, Act III: Ride of the Walkyries" by Richard Wagner, Mariss Jansons, Oslo Philharmonic Orchestra was released on January 1, 1992. With this song being about 5 minutes long, at 4:47, "Wagner: Die Walküre, Act III: Ride of the Walkyries" by Richard Wagner, Mariss Jansons, Oslo Philharmonic Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wagner: Overtures & Orchestral Music by Richard Wagner, Oslo Philharmonic Orchestra, Mariss Jansons. The song's track number on the album is #6 out of 9 tracks. In terms of popularity, Wagner: Die Walküre, Act III: Ride of the Walkyries is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Wagner: Die Walküre, Act III: Ride of the Walkyries by Richard Wagner, Mariss Jansons, Oslo Philharmonic Orchestra has a tempo of 105 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Wagner: Die Walküre, Act III: Ride of the Walkyries being at 105 BPM, the half-time would be 52 BPM with a double-time of 210 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Karelia Suite, Op. 11: III. Alla marcia: Moderato | Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen | A Major | 2 | 11B | 78 BPM | ||
Menuet and Badinerie | Johann Sebastian Bach, James Galway, I Solisti di Zagreb, Boston Pops Orchestra | D Major | 3 | 10B | 176 BPM | ||
Crown Imperial: A Coronation March | William Walton, BBC Concert Orchestra, Barry Wordsworth | C Major | 4 | 8B | 121 BPM | ||
Carnival Of The Animals, Finale | Chicago Symphony Orchestra | C Major | 3 | 8B | 100 BPM | ||
Das Liebesverbot: Overture | Richard Wagner, Staatskapelle Dresden, Giuseppe Sinopoli | G Major | 6 | 9B | 120 BPM | ||
Carmen, Opera Suite No. 1: IV. Aragonaise, Act 4 | London Festival Orchestra Alfred Scholz | D Minor | 1 | 7A | 123 BPM | ||
Elgar: Introduction and Allegro, Op. 47: I. Moderato | Edward Elgar, Sir John Barbirolli, Allegri String Quartet, Sinfonia Of London | G Major | 6 | 9B | 100 BPM | ||
Caucasian Sketches: Suite No. 1, Op. 10: IV. Procession of the Sardar | Mikhail Ippolitov-Ivanov, Ukraine National Symphony Orchestra, Arthur Fagen | A Major | 1 | 11B | 81 BPM | ||
Symphony No. 7 Op. 92: II. Allegretto (Beethoven) | Orchestra Di Padova E Del Veneto & Peter Maag | E Minor | 0 | 9A | 128 BPM | ||
Swan Lake, Ballet suite, Op.20: Dance of the swans | Belgrad Philharmonic Orchestra, Igor Markevitch | F♯ Major | 0 | 2B | 95 BPM |
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