"Serse, HWV 40 / Act 1: "Ombra mai fu" (Arr. for Oboe)" by George Frideric Handel, Edward Brewer, Randall Wolfgang, Orpheus Chamber Orchestra was released on January 1, 2006. The duration of Serse, HWV 40 / Act 1: "Ombra mai fu" (Arr. for Oboe) is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Serse, HWV 40 / Act 1: "Ombra mai fu" (Arr. for Oboe)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 20 in A Handel Weekend by George Frideric Handel, Rafael Kubelik, Karl Richter. Serse, HWV 40 / Act 1: "Ombra mai fu" (Arr. for Oboe) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Serse, HWV 40 / Act 1: "Ombra mai fu" (Arr. for Oboe) by George Frideric Handel, Edward Brewer, Randall Wolfgang, Orpheus Chamber Orchestra is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Torelli: Trumpet Concerto in D Major, G. 28 "Estienne Roger": I. Allegro | Giuseppe Torelli, Alison Balsom, Deutsche Kammerphilharmonie Bremen | D Major | 3 | 10B | 102 BPM | ||
Messiah, HVW 56, Part 1, Scene 1: Sinfony | George Frideric Handel, Bible, Charles Jennens, Mattias Wager, Rebaroque, Gary Graden | E Minor | 1 | 9A | 100 BPM | ||
Sonate pour arpeggione [violoncelle] et piano en la mineur, D. 821: II. Adagio | Franz Schubert, Alexandre Tharaud, Jean-Guihen Queyras | E Major | 0 | 12B | 91 BPM | ||
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Artaserse: Se al labbro mio non credi - Instrumental Version | Christophe Rousset, Les Talens Lyriques | E Minor | 0 | 9A | 133 BPM | ||
Tafelmusik - Banquet Music In 3 Parts / Production 2 - 3. Concert In F Major, TWV53:A2: 1. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 105 BPM | ||
Handel: Water Music, Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe | George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 2 | 10B | 115 BPM | ||
Trumpet Concerto in D: 2. Allegro moderato | Leopold Mozart, Manuel Blanco, Josep Pons, Orquesta Nacional De España, Eriko Takezawa | D Major | 1 | 10B | 97 BPM | ||
Lieder ohne Worte, Op. 62: No. 6 Allegretto grazioso - "Spring Song" | Felix Mendelssohn, Daniel Barenboim | A Major | 0 | 11B | 95 BPM |
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