"Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": II. Largo" by Antonín Dvořák, Mariss Jansons, Oslo Philharmonic Orchestra was released on February 26, 2010. With this song being about 5 minutes long, at 4:46, "Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": II. Largo" by Antonín Dvořák, Mariss Jansons, Oslo Philharmonic Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 50 Best Romantic Classics, so we believe that "Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": II. Largo" is a single. Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": II. Largo is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": II. Largo by Antonín Dvořák, Mariss Jansons, Oslo Philharmonic Orchestra is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Songs Without Words: Frühlingslied, Op. 62 in A Major: Allegro grazioso | Felix Mendelssohn, Ilmar Lapinsch, Latvian Philharmonic Chamber Orchestra | A Major | 3 | 11B | 89 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
Handel: Water Music, Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe | George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 2 | 10B | 115 BPM | ||
Fauré: Pavane, Op. 50 | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
Divertimento No. 6 in G Major, Op. 38: Divertimento No. 6 in G Major, Op. 38 | Carl Maria von Weber, Ensemble 3 Mouvements | G Major | 0 | 9B | 119 BPM | ||
Adagio for Strings and Organ in G Minor | Remo Giazotto, Stuttgart Chamber Orchestra, Karl Münchinger | C Minor | 1 | 5A | 66 BPM | ||
Elgar: Introduction and Allegro, Op. 47: I. Moderato | Edward Elgar, Sir John Barbirolli, Allegri String Quartet, Sinfonia Of London | G Major | 6 | 9B | 100 BPM | ||
Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: No. 1 in E Major, Op. 19, No. 1 | Felix Mendelssohn, Péter Nagy | A Major | 0 | 11B | 85 BPM |
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