Leo Slezak, Heinrich Schacker made "Wohin?" available on October 1, 2006. The duration of Wohin? is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Wohin?'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Leo Slezak's "Leo Slezak singt" album is number 10 out of 35. Wohin? is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Wohin? by Leo Slezak, Heinrich Schacker to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Rondine, Act I: Chi il bel sogno di Doretta | Giacomo Puccini, Giuseppe Adami, Marina Rebeka, Marco Boemi, Wrocław Opera Orchestra | E Major | 2 | 12B | 88 BPM | ||
Un ballo in maschera, Act I: Ha, welche hohe Wonne (Sung in German) | Giuseppe Verdi, Leo Slezak | F♯ Major | 2 | 2B | 81 BPM | ||
Messa di Gloria: XI. Et incarnatus | Giacomo Puccini, Charles Castronovo, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | G Major | 1 | 9B | 78 BPM | ||
Cavalleria rusticana, Act I: O Lola, rosengleich bluh'n (Sung in German) | Pietro Mascagni, Leo Slezak | E Minor | 3 | 9A | 84 BPM | ||
Zueignung | Leo Slezak, Heinrich Schacker | C Major | 2 | 8B | 77 BPM | ||
Mozart: Oiseaux, si tous les ans, K. 307 | Wolfgang Amadeus Mozart, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Puts: The Hours, Act 2: "Mm... ’Stead of Jousting You’d Rather…" (Mrs. Latch, Richie, Laura, Clarissa, Virginia, Leonard, Nelly) [Live] | Kevin Puts, Yannick Nézet-Séguin, Eve Gigliotti, Joyce DiDonato, Kai Edgar, Kathleen Kim, Kelli O'Hara, Renée Fleming, Sean Panikkar, Metropolitan Opera Orchestra | A Major | 1 | 11B | 79 BPM | ||
Die Fledermaus: Act I: Duettino: Ach, ich darf nicht hin zu ihr (Rosalinde, Adele) | Johann Strauss II, Aga Mikolaj, Chen Reiss, Cologne West German Radio Orchestra, Friedrich Haider | A Major | 1 | 11B | 99 BPM | ||
Bellini: I puritani, Act 1: "Ah per sempre io ti perdei" (Riccardo) | Vincenzo Bellini, Ernest Blanc, Orchestre De La Société Des Concerts Du Conservatoire, Georges Prêtre | D♭ Major | 2 | 3B | 136 BPM | ||
Die Entführung aus dem Serail, K. 384, Act I: Solche hergelaufne Laffen - Was bist du nur für ein Mensch! - Erst geköpft, dann gehangen - Remastered 2024 | Wolfgang Amadeus Mozart, Endre Koreh, Peter Klein, Walther Ludwig, Wiener Philharmoniker, Josef Krips | B♭ Major | 1 | 6B | 96 BPM |
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