- BPM
- 81
- Key
- F♯ Major
- Camelot
- 2B
Un ballo in maschera, Act I: Ha, welche hohe Wonne (Sung in German) - Giuseppe Verdi, Leo Slezak Information
- Acousticness
- 99%
- Danceability
- 18%
- Energy
- 16%
- Instrumentalness
- 26%
- Liveness
- 38%
- Loudness
- 67%
- Speechiness
- 4%
- Valence
- 5%
- Popularity
- 0%
- Loudness
- -19.923 dB
Summary
"Un ballo in maschera, Act I: Ha, welche hohe Wonne (Sung in German)" by Giuseppe Verdi, Leo Slezak was released on January 4, 2011. The duration of Un ballo in maschera, Act I: Ha, welche hohe Wonne (Sung in German) is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Un ballo in maschera, Act I: Ha, welche hohe Wonne (Sung in German)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Leo Slezak's "Leo Slezak (1902-1931)" album is number 8 out of 23. On top of that, United Kingdom appears to be the country where this track was created. Un ballo in maschera, Act I: Ha, welche hohe Wonne (Sung in German) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Un ballo in maschera, Act I: Ha, welche hohe Wonne (Sung in German) BPM
We consider the tempo marking of Un ballo in maschera, Act I: Ha, welche hohe Wonne (Sung in German) by Giuseppe Verdi, Leo Slezak to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Un ballo in maschera, Act I: Ha, welche hohe Wonne (Sung in German) Key
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum" | Gioachino Rossini, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin | C Major | 3 | 8B | 148 BPM | |
 | La Bohème: Mi chiamano Mimi | Mirella Freni | D Major | 2 | 10B | 74 BPM | |
 | Carmen (1997 - Remaster), Act I: Sur la place | Georges Bizet, Andréa Guiot/Claude Calès/Choeurs René Duclos/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | B♭ Major | 1 | 6B | 105 BPM | |
 | Le veau d'or - from Faust | Charles Gounod, Erwin Schrott, Daniele Rustioni | C Minor | 5 | 5A | 121 BPM | |
 | Adriana Lecouvreur (1986 Digital Remaster): Ecco: respiro appena...Io son l'umile ancella | Maria Callas, Tullio Serafin | A♭ Major | 1 | 4B | 92 BPM | |
 | Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | |
 | La Traviata, Act I: Libiamo ne' lieti calici | Giuseppe Verdi, Lisette Oropesa, René Barbera, Ilseyar Khayrullova, Menna Cazel, Francesco Pittari, Daniel Oren, Dresdner Philharmonie, Sächsischer Staatsopernchor Dresden | B♭ Major | 2 | 6B | 106 BPM | |
 | Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Finale (Excerpt: Ode to Joy) | Ludwig van Beethoven, Riccardo Muti, Philadelphia Orchestra | D Major | 5 | 10B | 78 BPM | |
 | Una voce poco fa from Il Barbiere di Siviglia, '(The) Barber of Seville' | Maria Callas, Philharmonia Orchestra, Tullio Serafin | E Major | 1 | 12B | 136 BPM | |
 | Il Barbiere di Siviglia (1996 Digital Remaster): Mille grazie, mio signore (Coro/Conte/Fiorello) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | G Major | 7 | 9B | 136 BPM |
- ISRC
- GBAGZ0432908
- Label
- L-M Records/RCA Records
Section: 0.6925513744354248
End: 0.6971063613891602