"Il Barbiere di Siviglia (1996 Digital Remaster): Mille grazie, mio signore (Coro/Conte/Fiorello)" by Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri was released on 1996. With Il Barbiere di Siviglia (1996 Digital Remaster): Mille grazie, mio signore (Coro/Conte/Fiorello) being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 46 in the song's album "Rossini: Il Barbiere di Siviglia". In this album, this song's track order is #5. Based on our statistics, Il Barbiere di Siviglia (1996 Digital Remaster): Mille grazie, mio signore (Coro/Conte/Fiorello)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Il Barbiere di Siviglia (1996 Digital Remaster): Mille grazie, mio signore (Coro/Conte/Fiorello) by Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen (1997 - Remaster), Act II: Air de la fleur: La fleur que tu m'avais jetée...Non, tu ne m'aimes pas | Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | A♭ Major | 1 | 4B | 80 BPM | ||
Tosca: Act I: Non la sospiri la nostra casetta (Tosca, Cavaradossi) | Giacomo Puccini, Nelly Miricioiu, Giorgio Lamberti, Silvano Carroli, Andrea Piccinni, Miroslav Dvorský, Jan Durco, Stanislav Beňačka, Jozef Spacek, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Raimo Sirkia, Slovak Chamber Choir, Alexander Rahbari, Markus Lehtinen | F Major | 0 | 7B | 86 BPM | ||
I Puritani / Act 1: Ad Arturo onore | Vincenzo Bellini, Chorus of the Royal Opera House, Covent Garden, London Symphony Orchestra, Richard Bonynge | A Major | 3 | 11B | 78 BPM | ||
L'elisir d'amore / Act II: "Ei corregge ogni difetto" | Gaetano Donizetti, Kathleen Battle, Luciano Pavarotti, Enzo Dara, Leo Nucci, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | B♭ Major | 2 | 6B | 80 BPM | ||
La Cenerentola / Act 2: "Sia qualunque delle figlie" | Gioachino Rossini, Paolo Montarsolo, London Symphony Orchestra, Claudio Abbado | A Major | 4 | 11B | 113 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Ah! chi mi dice mai"- "Chi è là?"/"Stelle! che vedo" | Wolfgang Amadeus Mozart, Joyce DiDonato, Ildebrando D'Arcangelo, Luca Pisaroni, Mahler Chamber Orchestra, Yannick Nézet-Séguin | B♭ Minor | 1 | 3A | 85 BPM | ||
I Puritani / Act 2: Il rival salvar tu dei | Vincenzo Bellini, Nicolai Ghiaurov, Piero Cappuccilli, London Symphony Orchestra, Richard Bonynge | A♭ Major | 2 | 4B | 83 BPM | ||
Carmina Burana: XIV. In taberna quando sumus | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | E Major | 3 | 12B | 128 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.5 Intermezzo | Felix Mendelssohn, London Symphony Orchestra, Peter Maag | D Minor | 1 | 7A | 97 BPM | ||
Tchaikovsky: Romeo and Juliet, Fantasy Overture (Excerpt) | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | E Major | 2 | 12B | 73 BPM |
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