- BPM
- 80
- Key
- A♭ Major
- Camelot
- 4B
Carmen (1997 - Remaster), Act II: Air de la fleur: La fleur que tu m'avais jetée...Non, tu ne m'aimes pas - Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra Information
- Acousticness
- 97%
- Danceability
- 21%
- Energy
- 13%
- Instrumentalness
- 1%
- Liveness
- 73%
- Loudness
- 67%
- Speechiness
- 5%
- Valence
- 7%
- Popularity
- 18%
- Loudness
- -19.896 dB
Summary
"Carmen (1997 - Remaster), Act II: Air de la fleur: La fleur que tu m'avais jetée...Non, tu ne m'aimes pas" by Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra was released on 1964. Since Carmen (1997 - Remaster), Act II: Air de la fleur: La fleur que tu m'avais jetée...Non, tu ne m'aimes pas is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 39 in Bizet: Carmen by Georges Bizet, Maria Callas, Georges Prêtre. Carmen (1997 - Remaster), Act II: Air de la fleur: La fleur que tu m'avais jetée...Non, tu ne m'aimes pas is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Carmen (1997 - Remaster), Act II: Air de la fleur: La fleur que tu m'avais jetée...Non, tu ne m'aimes pas BPM
The tempo marking of Carmen (1997 - Remaster), Act II: Air de la fleur: La fleur que tu m'avais jetée...Non, tu ne m'aimes pas by Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Carmen (1997 - Remaster), Act II: Air de la fleur: La fleur que tu m'avais jetée...Non, tu ne m'aimes pas Key
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Puccini: La bohème, Act 2: "Beviam...Ch'io beva del tossico!" (Mimì/Marcello/Schaunard/Colline/Rodolfo/Coro) | Giacomo Puccini, Maria Callas, Rolando Panerai, Manuel Spatafora, Nicola Zaccaria, Giuseppe Di Stefano, Carlo Badioli, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Anna Moffo | E♭ Major | 2 | 5B | 115 BPM | |
 | Candide / Act II: 31. Make Our Garden Grow (Finale) | Leonard Bernstein, June Anderson, Della Jones, Christa Ludwig, Jerry Hadley, Nicolai Gedda, Kurt Ollmann, Adolph Green, London Symphony Orchestra, London Symphony Chorus | C Major | 2 | 8B | 168 BPM | |
 | Medea (Medee) (Sung in Italian): Act I: Dei tuoi figli la madre (Medea) | Luigi Cherubini, Maria Callas, Orchestra La Scala di Milano, Thomas Schippers | C Major | 3 | 8B | 92 BPM | |
 | L'elisir d'amore / Act 1: "Adina credimi...Fra lieti concenti" | Gaetano Donizetti, Luciano Pavarotti, Dominic Cossa, Dame Joan Sutherland, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | E♭ Major | 3 | 5B | 87 BPM | |
 | Tosca: Act I: Recondita armonia (Cavaradossi, Il Sagrestano) | Giacomo Puccini, Nelly Miricioiu, Giorgio Lamberti, Silvano Carroli, Andrea Piccinni, Miroslav Dvorský, Jan Durco, Stanislav Beňačka, Jozef Spacek, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Raimo Sirkia, Slovak Chamber Choir, Alexander Rahbari, Markus Lehtinen | F Major | 0 | 7B | 86 BPM | |
 | Lucia di Lammermoor / Act 1: "La pietade in suo favore" | Gaetano Donizetti, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 2 | 8B | 123 BPM | |
 | Carmen, Act III: No.21 Morceau d'ensemble : Quant au douanier (Carmen/Frasquita/Mercédès/Le Dancaïro/Le Remendado/Le Bohémiens et Bohémiennes) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | F♯ Major | 2 | 2B | 123 BPM | |
 | La fille du régiment / Act 1: Quoi! vous m'aimez? | Gaetano Donizetti, Joan Sutherland, Luciano Pavarotti, Spiro Malas, Jules Bruyere, Monica Sinclair, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | A♭ Major | 1 | 4B | 80 BPM | |
 | Puccini: Manon Lescaut, Act 4: "Sola, perduta, abbandonata" (Manon Lescaut) | Giacomo Puccini, Maria Callas, Philharmonia Orchestra, Tullio Serafin | B♭ Minor | 1 | 3A | 87 BPM | |
 | Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | F♯ Major | 2 | 2B | 85 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6560773849487305
End: 0.6608281135559082