"Candide / Act II: 31. Make Our Garden Grow (Finale)" by Leonard Bernstein, June Anderson, Della Jones, Christa Ludwig, Jerry Hadley, Nicolai Gedda, Kurt Ollmann, Adolph Green, London Symphony Orchestra, London Symphony Chorus was released on January 1, 1991. Candide / Act II: 31. Make Our Garden Grow (Finale) is about six minutes long, preciously at 5:43, making this song fairly long compared to other songs. The song is number 16 out of 34 in Bernstein: Candide by Leonard Bernstein, London Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Candide / Act II: 31. Make Our Garden Grow (Finale) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Candide / Act II: 31. Make Our Garden Grow (Finale) by Leonard Bernstein, June Anderson, Della Jones, Christa Ludwig, Jerry Hadley, Nicolai Gedda, Kurt Ollmann, Adolph Green, London Symphony Orchestra, London Symphony Chorus is Vivace (lively and fast), since this song has a tempo of 168 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Harold en Italie, Op. 16, H 68: III. Sérénade d'un Montagnard des Abruzzes à sa maîtresse | Hector Berlioz, London Symphony Orchestra, Tabea Zimmermann, Sir Colin Davis | C Major | 2 | 8B | 77 BPM | ||
Carmina Burana: VI. Dance | Carl Orff, London Symphony Chorus, Richard Hickox, London Symphony Orchestra | C Major | 1 | 8B | 142 BPM | ||
Wolf: Mörike-Lieder, Book 4: No. 49 Zur Warnung | Hugo Wolf, Christa Ludwig, Gerald Moore | G Minor | 1 | 6A | 143 BPM | ||
La Sonnambula / Act 1: D'un pensiero e d'un accento | Vincenzo Bellini, Dame Joan Sutherland, Luciano Pavarotti, Isobel Buchanan, Della Jones, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | C Major | 1 | 8B | 126 BPM | ||
Barber - Four songs, op. 13: Sure on this shining night | Samuel Barber, Barbara Bonney, Malcolm Martineau | G Minor | 1 | 6A | 89 BPM | ||
Spring Symphony, Op. 44, Part IV: Finale. London, to Thee I do Present (soprano, alto, tenor, chorus, children's chorus) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Elizabeth Watts, Alice Coote, Allan Clayton, London Symphony Chorus, Tiffin Boys' Choir, Tiffin Children's Chorus, The Tiffin Girls' School Choir | C Major | 3 | 8B | 134 BPM | ||
Hymn to St. Cecilia, Op. 27: In a Garden Shady | Benjamin Britten, London Symphony Chorus, George Malcolm | E Major | 0 | 12B | 105 BPM | ||
The Mikado / Act 1: 11. So Please You, Sir, We Much Regret | Arthur Sullivan, Valerie Masterson, Pauline Wales, Peggy Ann Jones, Kenneth Sandford, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | D Major | 3 | 10B | 116 BPM | ||
Wiegenlied | Johannes Brahms, Bryn Terfel, London Symphony Orchestra, Barry Wordsworth | E♭ Major | 1 | 5B | 69 BPM | ||
Rossini: Duetto buffo di due gatti | Gioachino Rossini, Christa Ludwig, Gerald Moore, Walter Berry | G Minor | 1 | 6A | 143 BPM |
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