Pietro Mascagni, Leo Slezak's 'Cavalleria rusticana, Act I: O Lola, rosengleich bluh'n (Sung in German)' came out on January 4, 2011. The duration of Cavalleria rusticana, Act I: O Lola, rosengleich bluh'n (Sung in German) is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Cavalleria rusticana, Act I: O Lola, rosengleich bluh'n (Sung in German)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Leo Slezak's "Leo Slezak (1902-1931)" album is number 19 out of 23. On top of that, United Kingdom appears to be the country where this track was created. Cavalleria rusticana, Act I: O Lola, rosengleich bluh'n (Sung in German) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Cavalleria rusticana, Act I: O Lola, rosengleich bluh'n (Sung in German) by Pietro Mascagni, Leo Slezak to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | ||
Fantasía para un Gentilhombre: IIa. Españoleta | Joaquín Rodrigo, Julian Bream, Leo Brouwer, RCA Victor Chamber Orchestra | A Minor | 0 | 8A | 88 BPM | ||
Goldberg Variations, BWV 988: Aria | Johann Sebastian Bach, Lang Lang | G Major | 0 | 9B | 76 BPM | ||
The Banks of Green Willow | George Butterworth, BBC National Orchestra Of Wales, Kriss Russman | A Minor | 0 | 8A | 83 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Andante | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 173 BPM | ||
Cavalleria rusticana: "Fior di giaggiolo" | Pietro Mascagni, Carmen Gonzales, Luciano Pavarotti, Julia Varady, National Philharmonic Orchestra, Gianandrea Gavazzeni | B♭ Major | 1 | 6B | 176 BPM | ||
Symphony No. 5: IV. Adagietto: Sehr langsam | Gustav Mahler, London Symphony Orchestra, James DePreist | C Major | 2 | 8B | 127 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Rupert Bear | Academy of St. Martin in the Fields, Gabriel Yared | B♭ Major | 2 | 6B | 90 BPM | ||
Nulla in mundo pax, RV 630: 1. Nulla in mundo pax | Antonio Vivaldi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | E♭ Major | 1 | 5B | 99 BPM |
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