"Mozart: Oiseaux, si tous les ans, K. 307" by Wolfgang Amadeus Mozart, Sabine Devieilhe, Mathieu Pordoy was released on March 29, 2024. With Mozart: Oiseaux, si tous les ans, K. 307 being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Sabine Devieilhe, Mathieu Pordoy's "Mozart & Strauss: Lieder" album is number 10 out of 24. On top of that, United Kingdom appears to be the country where this track was created. Mozart: Oiseaux, si tous les ans, K. 307 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Oiseaux, si tous les ans, K. 307 by Wolfgang Amadeus Mozart, Sabine Devieilhe, Mathieu Pordoy to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Great Mass in C Minor K 427, Gloria: Domine Deus (Allegro Moderato) | Wolfgang Amadeus Mozart, Sandrine Piau, Accentus, La Chambre Philharmonique, Emmanuel Krivine | E♭ Major | 2 | 5B | 124 BPM | ||
Stravinsky: Le Rossignol, Act II: Chanson du rossignol. "Ah, joie, emplis mon coeur" | Igor Stravinsky, Sabine Devieilhe, François-Xavier Roth, Les Siècles | A Minor | 0 | 8A | 167 BPM | ||
Le Carnaval du Parnasse, Prologue Scene 4: Récit & Chœur. Célébrons le Printemps (un Berger, chœur) | Jean-Joseph Cassanéa De Mondonville, Mathias Vidal, Les Ambassadeurs ~ La Grande Écurie, Alexis Kossenko, Chœur De Chambre De Namur | F Minor | 4 | 4A | 141 BPM | ||
Sept mélodies, Op. 2: II. Le charme | Ernest Chausson, Véronique Gens, Susan Manoff | F Major | 1 | 7B | 118 BPM | ||
14 Romances, Op. 34: No. 12, What Happiness | Sergei Rachmaninoff, Hein Jung, Grigorios Zamparas | G Major | 0 | 9B | 79 BPM | ||
Haugtussa, Op. 67: V. Elsk | Charlotte Hoather, George Todica | C Major | 2 | 8B | 104 BPM | ||
Télémaque & Calypso, Prologue Scene 1: Descendez, régnez sur la terre (Les vertus, les muses et les arts) | Andre Cardinal Destouches, Les Ombres, Sylvain Sartre, Margaux Blanchard, Les Chantres du Centre de Musique Baroque de Versailles | F Minor | 3 | 4A | 85 BPM | ||
Delage: 4 poèmes hindous: II. Lahore | Maurice Delage, Sabine Devieilhe, François-Xavier Roth, Les Siècles | B Minor | 0 | 10A | 85 BPM | ||
Elijah, Op.70, MWV A25 / Part 1: "Lord, bow Thine ear to our pray'r!" | Felix Mendelssohn, Academy of St Martin in the Fields Chorus, Yvonne Kenny, Anne Dawson, Academy of St. Martin in the Fields, Sir Neville Marriner | A Minor | 0 | 8A | 111 BPM | ||
Misatango, Misa a Buenos Aires: VII. Et incarnatus est | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | F Minor | 2 | 4A | 86 BPM |
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