"Mit gewitter und sturm (from Der Fliegende Holländer)" by Fritz Wunderlich, Staatskapelle Berlin, Franz Konwitschny was released on March 13, 2012. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 16 in Fritz Wunderlich Arias by Fritz Wunderlich. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Mit gewitter und sturm (from Der Fliegende Holländer) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mit gewitter und sturm (from Der Fliegende Holländer) by Fritz Wunderlich, Staatskapelle Berlin, Franz Konwitschny is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Aufforderung zum Tanze, Op. 65, J.260 | Carl Maria von Weber, Ottomar Borwitzky, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 111 BPM | ||
Weber: Der Freischütz, Op. 77, J. 277, Act 3 Scene 4: No. 14, Volkslied, "Wir winden dir den Jungfernkranz" (Brautjungfern, Chorus, Agathe, Ännchen) | Carl Maria von Weber, Elisabeth Grümmer, Berliner Philharmoniker, Joseph Keilberth | E♭ Major | 0 | 5B | 68 BPM | ||
Rigoletto / Act 3: "Bella figlia dell'amore" | Giuseppe Verdi, Renato Bruson, Edita Gruberova, Neil Shicoff, Brigitte Fassbaender, Orchestra dell'Accademia Nazionale di Santa Cecilia, Giuseppe Sinopoli | D♭ Major | 2 | 3B | 119 BPM | ||
Die Fledermaus: Act III: Spiel' ich die Unschuld vom Lande (Adele, Ida, Frank) | Johann Strauss II, Chen Reiss, Sabine Kallhammer, Sebastian Holecek, Cologne West German Radio Orchestra, Friedrich Haider | G Major | 1 | 9B | 137 BPM | ||
Wagner: Tannhäuser, Act 3: "O! du mein holder Abendstern" (Wolfram) | Richard Wagner, Daniel Barenboim, Staatskapelle Berlin, Thomas Hampson | D Major | 2 | 10B | 96 BPM | ||
"Wien, Wien nur du allein" | Rudolf Sieczynski, Fritz Wunderlich, Vienna Volksoper Orchestra, Robert Stolz | G Major | 4 | 9B | 77 BPM | ||
Maske in Blau: Die Juliska aus Budapest | Fred Raymond, Ursula Schirmacher, Fritz Wunderlich, Unknown Artist, Hans Müller-Kray | E Minor | 4 | 9A | 94 BPM | ||
5 Lieder, Op. 105: I. Wie Melodien zieht es mir | Johannes Brahms, Bernarda Fink, Roger Vignoles | C Minor | 0 | 5A | 69 BPM | ||
Die Zirkusprinzessin, Act I: "Zwei Märchenaugen" | Emmerich Kálmán, Fritz Wunderlich, Hans Moltkau, Bavarian State Orchestra | C Major | 3 | 8B | 90 BPM | ||
Te Deum, WAB 45: 3. Aeterna fac | Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | B♭ Major | 4 | 6B | 64 BPM |
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