"Wagner: Tannhäuser, Act 3: "O! du mein holder Abendstern" (Wolfram)" by Richard Wagner, Daniel Barenboim, Staatskapelle Berlin, Thomas Hampson was released on 1995. The duration of Wagner: Tannhäuser, Act 3: "O! du mein holder Abendstern" (Wolfram) is about 3 minutes long, at 3:19. Based on our data, "Wagner: Tannhäuser, Act 3: "O! du mein holder Abendstern" (Wolfram)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 59 out of 277 in Barenboim - Complete Wagner Operas by Richard Wagner, Daniel Barenboim, Bayreuth Festival Orchestra, Staatskapelle Berlin, Berliner Philharmoniker. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Wagner: Tannhäuser, Act 3: "O! du mein holder Abendstern" (Wolfram) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wagner: Tannhäuser, Act 3: "O! du mein holder Abendstern" (Wolfram) by Richard Wagner, Daniel Barenboim, Staatskapelle Berlin, Thomas Hampson is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Das Rheingold: Scene 4: Schwules Gedunst schwebt (Donner) | Richard Wagner, Hans Hotter, Alfons Herwig, Josef Traxel, Ludwig Suthaus, Georgine Von Milinkovic, Gré Brouwenstijn, Gustav Neidlinger, Paul Kuen, Studio Chorus, Studio Orchestra, Hans Knappertsbusch | A♭ Major | 2 | 4B | 134 BPM | ||
Brahms: Ein deutsches Requiem, Op. 45: III. Herr, lehre doch mich | Johannes Brahms, Sir Simon Rattle, Rundfunkchor Berlin, Berliner Philharmoniker | B♭ Major | 0 | 6B | 120 BPM | ||
Carmina Burana / 1. Primo vere: "Ecce gratum" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Major | 4 | 6B | 139 BPM | ||
La Bohème / Act 1: "Chi è là?" | Giacomo Puccini, Mirella Freni, Luciano Pavarotti, Berliner Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 85 BPM | ||
Die Zauberflöte, K.620 / Act 1: "Bei Männern, welche Liebe fühlen" | Wolfgang Amadeus Mozart, Dorothea Röschmann, Hanno Müller-Brachmann, Mahler Chamber Orchestra, Claudio Abbado | E♭ Major | 0 | 5B | 95 BPM | ||
Beethoven : Symphony No.2 in D major Op.36 : IV Allegro molto | Daniel Barenboim | D Major | 2 | 10B | 101 BPM | ||
Symphony No. 8, Erster Teil: III. Veni, creator spiritus | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, Rundfunkchor Berlin, MDR Leipzig Radio Chorus, Knaben des Staats- und Domchors Berlin, Erika Sunnegardh, Susan Bullock, Lilli Paasikivi, Nathalie Stutzmann, Johan Botha, David Wilson-Johnson, John Relyea | E♭ Major | 4 | 5B | 88 BPM | ||
Lieder ohne Worte, Op. 67: No. 2. Allegro leggiero in F Sharp Minor, MWV U 145 - "Lost Illusions" | Felix Mendelssohn, Daniel Barenboim | F♯ Minor | 1 | 11A | 180 BPM | ||
6 Consolations, S. 172: No. 1 In E Major (Andante con moto) | Franz Liszt, Daniel Barenboim | A Major | 0 | 11B | 88 BPM | ||
Spontini: La Vestale, Act 2: "O nome tutelar" (Julia) | Gaspare Spontini, Maria Callas, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | D Major | 1 | 10B | 172 BPM |
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