Johann Strauss II, Chen Reiss, Sabine Kallhammer, Sebastian Holecek, Cologne West German Radio Orchestra, Friedrich Haider's 'Die Fledermaus: Act III: Spiel' ich die Unschuld vom Lande (Adele, Ida, Frank)' came out on February 4, 2014. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 22 in the song's album "Strauss: Die Fledermaus". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Germany. Based on our statistics, Die Fledermaus: Act III: Spiel' ich die Unschuld vom Lande (Adele, Ida, Frank)'s popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Die Fledermaus: Act III: Spiel' ich die Unschuld vom Lande (Adele, Ida, Frank) by Johann Strauss II, Chen Reiss, Sabine Kallhammer, Sebastian Holecek, Cologne West German Radio Orchestra, Friedrich Haider having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Fledermaus: Act II: Finale: Herr Chevalier, ich grusse Sie (Eisenstein, Frank) | Johann Strauss II, Paul Armin Edelmann, Sebastian Holecek, Cologne West German Radio Orchestra, Friedrich Haider | A♭ Major | 1 | 4B | 69 BPM | ||
Bei uns z'Haus, Op. 361 | Johann Strauss II, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | C Major | 1 | 8B | 100 BPM | ||
6 Lieder, Op. 9: No. 3, Der Rosenkranz (Arr. for Soprano and Orchestra by Tal-Haim Samnon) | Fanny Mendelssohn, Chen Reiss, Daniel Grossmann, Jewish Chamber Orchestra Munich | F Major | 2 | 7B | 75 BPM | ||
Leichtes Blut ,Polka | Johann Strauss II, Polish State Philharmonic Orchestra, Katowice, Oliver von Dohnanyi | C Major | 4 | 8B | 167 BPM | ||
Die Feen: Act I: Ihr Feen all! (Zemina, Farzana, Chorus of Fairies and Spirits, Chorus) | Richard Wagner, Jyrki Korhonen, Sue Patchell, Ulrike Sonntag, Manuela Kriscak, Raimo Sirkia, Artur Korn, Dagmar Schellenberger, Sebastian Holecek, Birgit Beer, Frieder Lang, Francesco Ruta, Alessandro Patalini, Cagliari Theatre Chorus, Cagliari Theatre Orchestra, Gabor Ötvös | D Major | 1 | 10B | 142 BPM | ||
Le donne curiose: Le donne curiose: Overture | Ermanno Wolf-Ferrari, Oviedo Filarmonía, Friedrich Haider | D Major | 1 | 10B | 110 BPM | ||
6 Lieder, Op. 9: No. 4, Die frühen Gräber (Arr. for Soprano and Orchestra by Tal-Haim Samnon) | Fanny Mendelssohn, Chen Reiss, Daniel Grossmann, Jewish Chamber Orchestra Munich | C Major | 2 | 8B | 123 BPM | ||
Faust / Act 3: "Ah! Je ris de me voir" | Charles Gounod, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 3 | 9B | 76 BPM | ||
Strauss, Johann II: Die Fledermaus, Act 2: "Mein Herr Marquis" (Adele) | Johann Strauss II, Diana Damrau, David Charles Abell, Karl Huffier, Royal Liverpool Philharmonic Orchestra | G Major | 3 | 9B | 73 BPM | ||
Tristan und Isolde / Act 2: "O sink hernieder, Nacht der Liebe" | Richard Wagner, Deborah Voigt, Thomas Moser, Vienna State Opera Orchestra, Christian Thielemann | A♭ Major | 1 | 4B | 67 BPM |
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