"Die Feen: Act I: Ihr Feen all! (Zemina, Farzana, Chorus of Fairies and Spirits, Chorus)" by Richard Wagner, Jyrki Korhonen, Sue Patchell, Ulrike Sonntag, Manuela Kriscak, Raimo Sirkia, Artur Korn, Dagmar Schellenberger, Sebastian Holecek, Birgit Beer, Frieder Lang, Francesco Ruta, Alessandro Patalini, Cagliari Theatre Chorus, Cagliari Theatre Orchestra, Gabor Ötvös was released on January 1, 1998. The duration of Die Feen: Act I: Ihr Feen all! (Zemina, Farzana, Chorus of Fairies and Spirits, Chorus) is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Die Feen: Act I: Ihr Feen all! (Zemina, Farzana, Chorus of Fairies and Spirits, Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wagner: Die Feen by Richard Wagner, Sue Patchell, Gabor Ötvös. The song's track number on the album is #4 out of 31 tracks. Based on our data, Italy was the country where this track was produced or recorded. Based on our statistics, Die Feen: Act I: Ihr Feen all! (Zemina, Farzana, Chorus of Fairies and Spirits, Chorus)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Die Feen: Act I: Ihr Feen all! (Zemina, Farzana, Chorus of Fairies and Spirits, Chorus) by Richard Wagner, Jyrki Korhonen, Sue Patchell, Ulrike Sonntag, Manuela Kriscak, Raimo Sirkia, Artur Korn, Dagmar Schellenberger, Sebastian Holecek, Birgit Beer, Frieder Lang, Francesco Ruta, Alessandro Patalini, Cagliari Theatre Chorus, Cagliari Theatre Orchestra, Gabor Ötvös has a tempo of 142 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Die Feen: Act I: Ihr Feen all! (Zemina, Farzana, Chorus of Fairies and Spirits, Chorus) being at 142 BPM, the half-time would be 71 BPM with a double-time of 284 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht | Gustav Mahler, Lorin Maazel, Wiener Philharmoniker | B♭ Major | 2 | 6B | 130 BPM | ||
Das Liebesverbot, WWV 38, Act II: Act II: Trio: Wie glucklich, schone Isabella (Luzio, Isabella, Dorella) | Richard Wagner, Kieth Engen, Sabine Hass, Pamela Coburn, Alfred Kuhn, Raimund Grumbach, Marianne Seibel, Hermann Sapell, Chor der Bayerischen Staatsoper, Bavarian State Orchestra, Hermann Prey, Wolfgang Fassler, Robert Schunk, Friedrich Lenz, Wolfgang Sawallisch | A Major | 2 | 11B | 118 BPM | ||
Das Liebesverbot, WWV 38, Act II: Act II: Verweile hier, hier muss er kommen! (Isabella, Mariana) | Richard Wagner, Kieth Engen, Sabine Hass, Pamela Coburn, Alfred Kuhn, Raimund Grumbach, Marianne Seibel, Hermann Sapell, Chor der Bayerischen Staatsoper, Bavarian State Orchestra, Hermann Prey, Wolfgang Fassler, Robert Schunk, Friedrich Lenz, Wolfgang Sawallisch | A♭ Major | 1 | 4B | 83 BPM | ||
Pictures at an Exhibition (Orch. Ravel): I. Gnomus | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E Major | 1 | 12B | 60 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Symphony No. 3 in C Minor, Op. 78, R. 176 "Organ Symphony": IIa. Allegro moderato - Presto - Allegro moderato | Camille Saint-Saëns, Gaston Litaize, Chicago Symphony Orchestra, Daniel Barenboim | D♭ Major | 1 | 3B | 110 BPM | ||
Das Rheingold, WWV 86A / Scene 2: "Zu mir, Freia!" | Richard Wagner, Waldemar Kmentt, Eberhard Wächter, Kurt Böhme, Walter Kreppel, George London, Claire Watson, Kirsten Flagstad, Wiener Philharmoniker, Sir Georg Solti | E♭ Major | 3 | 5B | 96 BPM | ||
The Battle of Stalingrad Suite: A City on the Volga - The Invasion | Aram Khachaturian, Slovak Radio Symphony Orchestra, Adriano | D Minor | 1 | 7A | 79 BPM | ||
Symphony No. 8 in C Minor, Op. 65: III. Allegro non troppo | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | F Major | 5 | 7B | 167 BPM | ||
Grande messe des morts, Op. 5, "Requiem": Lacrimosa | Hector Berlioz, Toby Spence, SWR Vokalensemble Stuttgart, MDR Leipzig Radio Chorus, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington | C Major | 2 | 8B | 128 BPM |
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