"Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 2: The Sacrifice: Mystic Circles of the Young Girls" by Igor Stravinsky, Simón Bolívar Youth Orchestra of Venezuela, Gustavo Dudamel was released on January 1, 2010. The duration of Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 2: The Sacrifice: Mystic Circles of the Young Girls is about 3 minutes long, at 3:19. Based on our data, "Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 2: The Sacrifice: Mystic Circles of the Young Girls" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in "Rite" - Stravinsky: Le Sacre du printemps; Revueltas: La noche de los mayas, so we believe that "Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 2: The Sacrifice: Mystic Circles of the Young Girls" is a single. Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 2: The Sacrifice: Mystic Circles of the Young Girls is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 2: The Sacrifice: Mystic Circles of the Young Girls by Igor Stravinsky, Simón Bolívar Youth Orchestra of Venezuela, Gustavo Dudamel is Lento (slowly), since this song has a tempo of 56 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peter Grimes: 4 Sea Interludes, Op. 33a: III. Moonlight | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | E♭ Major | 0 | 5B | 84 BPM | ||
Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Gianandrea Noseda, London Symphony Orchestra | C Major | 1 | 8B | 138 BPM | ||
Czech Suite in D Major, Op. 39, B. 93: IV. Romanza. Andante con moto | Antonín Dvořák, Prague Chamber Orchestra, Josef Vlach | G Major | 1 | 9B | 142 BPM | ||
4 Pieces, Op. 51: 4. Danse languide | Alexander Scriabin, Evgeny Kissin | E♭ Major | 0 | 5B | 74 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): III. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 76 BPM | ||
Violin Concerto in D Major, Op. 35: III. Finale - Allegro assai vivace | Erich Wolfgang Korngold, Jascha Heifetz, Alfred Wallenstein | G Major | 4 | 9B | 76 BPM | ||
Stravinsky: Octet for Wind instruments: III. Finale. Tempo giusto | Igor Stravinsky, André Lafosse, Eugène Foveau, Gustave Dherin, Marcel Moyse, Marius Piard, Pierre Vignal, Raphaël Delbos, Émile Godeau | A Minor | 1 | 8A | 123 BPM | ||
8 Études, Op. 42: No. 5 in C-Sharp Minor | Alexander Scriabin, Evgeny Kissin | D♭ Minor | 2 | 12A | 132 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 2 | 8A | 113 BPM |
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