Ludwig van Beethoven, Jonas Kaufmann, Helmut Deutsch's 'Ich liebe dich, WoO 123' came out on September 4, 2020. With Ich liebe dich, WoO 123 being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 27 in the song's album "Selige Stunde". In this album, this song's track order is #3. Ich liebe dich, WoO 123 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ich liebe dich, WoO 123 by Ludwig van Beethoven, Jonas Kaufmann, Helmut Deutsch having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bist du bei mir, BWV 508 | Johann Sebastian Bach, Benjamin Appl | B Major | 1 | 1B | 128 BPM | ||
Ich lade gern mir Gäste ein | Johann Strauss II, Angelika Kirchschlager, Alfred Eschwe, Tonkünstler-Orchester | D♭ Major | 1 | 3B | 130 BPM | ||
Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM | ||
Rückert Lieder: Ich bin der Welt abhanden gekommen | Gustav Mahler, Andreas Schmidt, Cord Garben | D♭ Major | 0 | 3B | 62 BPM | ||
Bei dir ist es traut | Alma Mahler, Kaleidoscope Chamber Collective, Francesca Chiejina | A♭ Major | 3 | 4B | 69 BPM | ||
Les pêcheurs de perles, Acte I: "C'est toi, toi qu'enfin je revois!... Au fond du temple saint" | Georges Bizet, Jonas Kaufmann, Ludovic Tezier, Bertrand de Billy | E♭ Major | 2 | 5B | 174 BPM | ||
Elias, Op. 70, MWV A25, Part I: No. 2, Duet with Choir "Herr, höre unser Gebet!" | Felix Mendelssohn, Delphine Collot, Monica Groop, La Chapelle Royale, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe | D Major | 3 | 10B | 109 BPM | ||
"Im Prater blühn wieder die Bäume" | Robert Stolz, Fritz Wunderlich, Vienna State Opera Chorus, Vienna Volksoper Orchestra | F Major | 3 | 7B | 86 BPM | ||
Liebesliederwalzer, Op. 52: XI. Nein, es ist nicht auszukommen | Johannes Brahms, Georg Friedrich Daumer, Marlis Petersen, Camillo Radicke, Konrad Jarnot, Stella Doufexis, Werner Güra, Christoph Berner | A♭ Major | 1 | 4B | 140 BPM | ||
Gounod: Faust, Act 3: "Les grands seigneurs ... Ah ! je ris de me voir si belle" (Marguerite) | Charles Gounod, Elsa Dreisig, Michael Schønwandt, Orchestre national de Montpellier Occitanie | D Major | 1 | 10B | 100 BPM |
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