"Liebesliederwalzer, Op. 52: XI. Nein, es ist nicht auszukommen" by Johannes Brahms, Georg Friedrich Daumer, Marlis Petersen, Camillo Radicke, Konrad Jarnot, Stella Doufexis, Werner Güra, Christoph Berner was released on August 28, 2007. With Liebesliederwalzer, Op. 52: XI. Nein, es ist nicht auszukommen being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 11 out of 36 in Brahms: Liebesliederwalzer & Neue Liebeslieder by Johannes Brahms, Werner Güra, Marlis Petersen, Konrad Jarnot, Stella Doufexis. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Liebesliederwalzer, Op. 52: XI. Nein, es ist nicht auszukommen's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Liebesliederwalzer, Op. 52: XI. Nein, es ist nicht auszukommen by Johannes Brahms, Georg Friedrich Daumer, Marlis Petersen, Camillo Radicke, Konrad Jarnot, Stella Doufexis, Werner Güra, Christoph Berner is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 5/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Christus factus est | Anton Bruckner, Choir of Clare College, Cambridge, Graham Ross | D Minor | 1 | 7A | 139 BPM | ||
Petite messe solennelle: XVII. O salutaris | Gioachino Rossini, Krassimira Stoyanova, Philip Mayers, Philip Moll, Ryoko Morooka, Marcus Creed | G Major | 0 | 9B | 103 BPM | ||
11 Zigeunerlieder (Gypsy-Songs), Op. 103: No. 1. He, Zigeuner, greife in die Saiten | Johannes Brahms, Gächinger Kantorei Stuttgart, Martin Galling, Helmuth Rilling | A Minor | 2 | 8A | 80 BPM | ||
Tu ch'hai le penne, amore | Giulio Caccini, Cecilia Bartoli, György Fischer | G Minor | 1 | 6A | 134 BPM | ||
Da unten im Tale, WoO 33, No. 6 | Johannes Brahms, Jonas Kaufmann, Helmut Deutsch | E Major | 1 | 12B | 182 BPM | ||
Neue Liebeslieder, Op. 65: XIV. Flammenauge, dunkles Haar | Johannes Brahms, Christoph Berner, Camillo Radicke, Stella Doufexis, Konrad Jarnot, Marlis Petersen, Werner Güra | A Major | 2 | 11B | 100 BPM | ||
Mörike-Lieder: Der Gärtner | Hugo Wolf, Jan Schultsz, Werner Güra | D Major | 0 | 10B | 125 BPM | ||
Johannes-Passion BWV 245: 15. Choral "Christus, der uns selig macht" | Johann Sebastian Bach, Stephan MacLeod, Werner Güra | A Major | 1 | 11B | 77 BPM | ||
Adelaïde, Op. 46 | Ludwig van Beethoven, Fritz Wunderlich, Hubert Giesen | B♭ Major | 1 | 6B | 76 BPM | ||
Requiem, Op. 48: 7. In paradisum | Gabriel Fauré, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Sir Colin Davis | G Major | 1 | 9B | 145 BPM |
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