"Da unten im Tale, WoO 33, No. 6" by Johannes Brahms, Jonas Kaufmann, Helmut Deutsch was released on September 4, 2020. With Da unten im Tale, WoO 33, No. 6 being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 27 in the song's album "Selige Stunde". In this album, this song's track order is #17. The popularity of Da unten im Tale, WoO 33, No. 6 is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Da unten im Tale, WoO 33, No. 6 by Johannes Brahms, Jonas Kaufmann, Helmut Deutsch having a BPM of 182 with a half-time of 91 BPM and a double-time of 364 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Six Lieder, Op.13: 3. Liebeszauber | Clara Schumann, Barbara Bonney, Vladimir Ashkenazy | E♭ Major | 1 | 5B | 103 BPM | ||
3 Lieder, Op. 12: 1. Er is gekommen in Sturm und Regen | Clara Schumann, Barbara Bonney, Vladimir Ashkenazy | A♭ Major | 1 | 4B | 101 BPM | ||
Die Walküre, WWV 86B / Act 1: "Winterstürme wichen dem Wonnemond" | Richard Wagner, Jonas Kaufmann, Mahler Chamber Orchestra, Claudio Abbado | F Major | 2 | 7B | 145 BPM | ||
Ein deutsches Requiem, Op. 45: II. Denn alles Fleisch es ist wie Gras | Johannes Brahms, Collegium Vocale Gent, La Chapelle Royale, Orchestre des Champs-Élysées, Philippe Herreweghe | F Major | 1 | 7B | 65 BPM | ||
Le roi d'Ys, Acte III, Scène 1:"Puisqu'on ne peut fléchir... Vainement, ma bien-aimée" | Édouard Lalo, Jonas Kaufmann, Bertrand de Billy | A Major | 1 | 11B | 88 BPM | ||
Ich liebe dich, WoO 123 | Ludwig van Beethoven, Jonas Kaufmann, Helmut Deutsch | G Major | 2 | 9B | 80 BPM | ||
Liebesliederwalzer, Op. 52: VI. Ein kleiner, hübscher Vogel | Johannes Brahms, Marlis Petersen, Konrad Jarnot, Camillo Radicke, Werner Güra, Christoph Berner, Stella Doufexis | B♭ Major | 0 | 6B | 100 BPM | ||
Ein deutsches Requiem, Op. 45: IV. Wie lieblich sind deine Wohnungen, Herr Zebaoth (Choir) | Johannes Brahms, Swedish Radio Choir, Daniel Harding, Swedish Radio Symphony Orchestra | E♭ Major | 1 | 5B | 111 BPM | ||
Mozart: "Ridente la calma", K. 152 | Josef Mysliveček, Wolfgang Amadeus Mozart, Barbara Bonney | G Major | 3 | 9B | 143 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM |
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