"Le roi d'Ys, Acte III, Scène 1:"Puisqu'on ne peut fléchir... Vainement, ma bien-aimée"" by Édouard Lalo, Jonas Kaufmann, Bertrand de Billy was released on September 15, 2017. The duration of Le roi d'Ys, Acte III, Scène 1:"Puisqu'on ne peut fléchir... Vainement, ma bien-aimée" is about 3 minutes long, at 3:06. Based on our data, "Le roi d'Ys, Acte III, Scène 1:"Puisqu'on ne peut fléchir... Vainement, ma bien-aimée"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Jonas Kaufmann's "L'Opéra" album is number 6 out of 14. Le roi d'Ys, Acte III, Scène 1:"Puisqu'on ne peut fléchir... Vainement, ma bien-aimée" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le roi d'Ys, Acte III, Scène 1:"Puisqu'on ne peut fléchir... Vainement, ma bien-aimée" by Édouard Lalo, Jonas Kaufmann, Bertrand de Billy to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Daniel Barenboim, Jacqueline du Pré, Philadelphia Orchestra | B♭ Major | 0 | 6B | 96 BPM | ||
Zapateado Op. 23 | Pablo de Sarasate, Sarah Chang, Charles Abramovic | A Major | 3 | 11B | 113 BPM | ||
Wagner: Albumblatt, WWV 94 | Richard Wagner, Renaud Capuçon | A Major | 2 | 11B | 87 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical": II. Larghetto | Sergei Prokofiev, André Previn, London Symphony Orchestra | A Major | 0 | 11B | 104 BPM | ||
Syncopation | Fritz Kreisler, Ray Chen, Julien Quentin | G Major | 1 | 9B | 133 BPM | ||
Lyric Suite, Op. 54: III. Notturno (Nocturne) | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | C Major | 0 | 8B | 127 BPM | ||
Suite No.1 from "Namouna": No. 4b, Fête foraine. À Hans de Bülow | Édouard Lalo, Estonian National Symphony Orchestra, Neeme Järvi | E♭ Major | 7 | 5B | 147 BPM | ||
Violin Concerto in D Major, RV 211: III. Allegro | Antonio Vivaldi, Nicola Benedetti, Benedetti Baroque Orchestra | D♭ Major | 3 | 3B | 136 BPM |
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