Fritz Kreisler, Ray Chen, Julien Quentin made "Syncopation" available on June 1, 2018. The duration of Syncopation is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Syncopation's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "The Golden Age". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Syncopation's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Syncopation by Fritz Kreisler, Ray Chen, Julien Quentin having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in D Major, Op. 35, TH 59: II. Canzonetta. Andante | Pyotr Ilyich Tchaikovsky, Ray Chen, Daniel Harding, Swedish Radio Symphony Orchestra | E♭ Major | 0 | 5B | 107 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
Piano Quartet in E-Flat Major, Op. 47: III. Andante cantabile | Robert Schumann, Yo-Yo Ma, Emanuel Ax, Isaac Stern, Jaime Laredo | B♭ Major | 0 | 6B | 134 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Cello Sonata in G Minor, Op. 19: III. Andante | Sergei Rachmaninoff, Yo-Yo Ma, Emanuel Ax | E♭ Major | 0 | 5B | 85 BPM | ||
Dvořák: From the Bohemian Forest, Op. 68, B. 182: No. 5, Silent Woods | Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra | D♭ Major | 1 | 3B | 95 BPM | ||
Masquerade - Ballet Suite: 2. Nocturne | Aram Khachaturian, John Georgiadis, London Symphony Orchestra, Stanley Black | A Major | 0 | 11B | 111 BPM | ||
Ballade in A Minor, Op. 33: I. Allegro energico, ma non troppo presto | Samuel Coleridge-Taylor, Chineke! Orchestra, Kalena Bovell | F♯ Minor | 0 | 11A | 78 BPM | ||
Three Romances for Violin & Piano, Op. 22: III. Leidenschaftlich schnell | Clara Schumann, Nurit Stark, Cédric Pescia | G Major | 1 | 9B | 89 BPM | ||
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM |
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