Johann Strauss II, Angelika Kirchschlager, Alfred Eschwe, Tonkünstler-Orchester made "Ich lade gern mir Gäste ein" available on April 10, 2008. The duration of Ich lade gern mir Gäste ein is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Ich lade gern mir Gäste ein's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Angelika Kirchschlager, Alfred Eschwe's "My Heart Alone" album is number 8 out of 16. Based on our statistics, Ich lade gern mir Gäste ein's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Ich lade gern mir Gäste ein by Johann Strauss II, Angelika Kirchschlager, Alfred Eschwe, Tonkünstler-Orchester to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Immer nur lächeln - aus „Das Land des Lächelns“ | Rudolf Schock | D Major | 1 | 10B | 80 BPM | ||
Nein, länger trag ich nicht | Berliner Philharmoniker, Chor der Deutschen Oper Berlin | E♭ Major | 1 | 5B | 89 BPM | ||
Ein Lied geht um die Welt | Hans May, Jonas Kaufmann, Jochen Rieder, Berlin Radio Symphony Orchestra | C Major | 2 | 8B | 86 BPM | ||
Simon Boccanegra / Act 1: "Come in quest'ora bruna" (Amelia) | Giuseppe Verdi, Mirella Freni, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | B♭ Major | 1 | 6B | 94 BPM | ||
Die Zauberflöte, K. 620 / Act 2: "Der Hölle Rache kocht in meinem Herzen" | Wolfgang Amadeus Mozart, Albina Shagimuratova, Jory Vinikour, Chamber Orchestra of Europe, Yannick Nézet-Séguin | F Major | 3 | 7B | 142 BPM | ||
Cäcilie | Richard Strauss, Anna Netrebko | A Major | 2 | 11B | 65 BPM | ||
Die Fledermaus / Act II: Nr. 10 Csárdás: "Klänge der Heimat" | Johann Strauss II, Julia Varady, Bavarian State Orchestra, Carlos Kleiber | D Major | 2 | 10B | 82 BPM | ||
La traviata / Act 2: "Ah! Dite alla giovine" | Giuseppe Verdi, Anna Netrebko, Thomas Hampson, Wiener Philharmoniker, Carlo Rizzi | E♭ Major | 1 | 5B | 170 BPM | ||
Lehár: Zigeunerliebe: "Hör ich Cymbalklänge" (Ilona) | Franz Lehár, Diana Damrau, Ernst Theis, Das Münchner Rundfunkorchester | D Major | 2 | 10B | 80 BPM | ||
Loewe: My fair lady: "I could have danced all night" (Eliza Doolittle) | Frederick Loewe, Diana Damrau, David Charles Abell, Royal Liverpool Philharmonic Orchestra | C Major | 5 | 8B | 153 BPM |
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