"Nein, länger trag ich nicht" by Berliner Philharmoniker, Chor der Deutschen Oper Berlin was released on November 9, 2012. Since Nein, länger trag ich nicht is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 9 out of 32 in Der Freischütz by Berliner Philharmoniker, Chor der Deutschen Oper Berlin. Nein, länger trag ich nicht is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Nein, länger trag ich nicht by Berliner Philharmoniker, Chor der Deutschen Oper Berlin is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Götterdämmerung, WWV 86D / Prologue: "Zu neuen Taten, teurer Helde, wie liebt' ich dich, liess ich dich nicht?" | Richard Wagner, Helga Dernesch, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 2 | 5B | 82 BPM | ||
La forza del destino: Overture (Sinfonia) | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | E Minor | 2 | 9A | 80 BPM | ||
Bajazzo: Andiam: din, don suona vespero | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | C Major | 2 | 8B | 132 BPM | ||
Otello / Act 1: Già nella notte densa (Love Duet) | Giuseppe Verdi, Plácido Domingo, Cheryl Studer, Orchestre de l'Opéra Bastille, Myung-Whun Chung | C Major | 1 | 8B | 175 BPM | ||
Tosca / Act III: "O dolci mani" | Giacomo Puccini, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 70 BPM | ||
Der Fliegende Holländer: Summ und Brumm, du gutes Rädchen | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | A Major | 2 | 11B | 80 BPM | ||
Die Schöpfung Hob. XXI:2 / Zweiter Teil: 26. Chor: Vollendet ist das große Werk | Joseph Haydn, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist | B♭ Major | 4 | 6B | 97 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1: "Notte e giorno faticar" (Leporello, Donna Anna, Don Giovanni, Il Commendatore) | Wolfgang Amadeus Mozart, Riccardo Muti, Cheryl Studer, Jan-Hendrik Rootering, Samuel Ramey, William Schimell, Wiener Philharmoniker | F Major | 2 | 7B | 94 BPM | ||
Fidelio, Op. 72 - Edited Helga Lühning & Robert Didio / Act 1: Jetzt, Schätchen, jetz sind wir allein | Ludwig van Beethoven, Rachel Harnisch, Christoph Strehl, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | A Major | 1 | 11B | 85 BPM | ||
Beethoven: Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso | Ludwig van Beethoven, Daniel Barenboim, Berliner Philharmoniker | B Major | 0 | 1B | 79 BPM |
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