"Ludus Tonalis: XX. Fuga decima in Des (Allegro moderato, grazioso)" by Paul Hindemith, Alena Cherny was released on December 6, 2019. With Ludus Tonalis: XX. Fuga decima in Des (Allegro moderato, grazioso) being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Paul Hindemith, Alena Cherny's "Hindemith: Ludus Tonalis" album is number 20 out of 25. On top of that, Switzerland appears to be the country where this track was created. Ludus Tonalis: XX. Fuga decima in Des (Allegro moderato, grazioso) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ludus Tonalis: XX. Fuga decima in Des (Allegro moderato, grazioso) by Paul Hindemith, Alena Cherny to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 1 | 5B | 103 BPM | ||
String Quartet in B Flat Major, Op. 130: V. Cavatina ( Adagio molto espressivo) | Ludwig van Beethoven, Emerson String Quartet | E Major | 1 | 12B | 81 BPM | ||
Clarinet Concerto: I. Allegro | Jean Françaix, Orchestra della Svizzera Italiana, Alain Lombard, Paolo Beltramini | A Major | 2 | 11B | 128 BPM | ||
Violin Concerto "To the Memory of an Angel": I. Andante - Allegro | Alban Berg, Anne-Sophie Mutter, Chicago Symphony Orchestra, James Levine | C Major | 1 | 8B | 89 BPM | ||
Thème et variations: I. Thème. Modéré | Olivier Messiaen, Benjamin Frith, Lucy Gould | C Minor | 0 | 5A | 84 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: III. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | F Major | 3 | 7B | 164 BPM | ||
Clarinet Quintet in A Major: Clarinet Quintet in A Major: II. Larghetto | Wolfgang Amadeus Mozart, Arcanto Quartett, Jörg Widmann | D Major | 0 | 10B | 76 BPM | ||
Set of 5 Take-offs: Song Without (Good) Words | Charles Ives, Joel Sachs, Continuum | C Major | 0 | 8B | 104 BPM | ||
Symphony No.1 In C Minor, Op.68: 2. Andante sostenuto | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 85 BPM | ||
Sonate, Op. 71: II. Nocturne – Presque adagio | Charles Koechlin, Julien Hardy, Simon Zaoui | E♭ Major | 0 | 5B | 77 BPM |
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