Ludwig van Beethoven, Emerson String Quartet made "String Quartet in B Flat Major, Op. 130: V. Cavatina ( Adagio molto espressivo)" available on January 1, 1997. Since String Quartet in B Flat Major, Op. 130: V. Cavatina ( Adagio molto espressivo) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 71 in Beethoven:The String Quartets by Ludwig van Beethoven, Emerson String Quartet. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. String Quartet in B Flat Major, Op. 130: V. Cavatina ( Adagio molto espressivo) is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of String Quartet in B Flat Major, Op. 130: V. Cavatina ( Adagio molto espressivo) by Ludwig van Beethoven, Emerson String Quartet is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Stucke, Op. 32: 6 Pieces, Op. 32: No. 3. Rustle of Spring | Christian Sinding, Christian Ihle Hadland | F Minor | 1 | 4A | 76 BPM | ||
String Quartet in D Minor, Op. posth. D.810 "Death and the Maiden": III. Scherzo. Allegro molto | Franz Schubert, Jerusalem Quartet | A Major | 1 | 11B | 139 BPM | ||
Lachian Dances, JW VI/17: No. 2. Pozehnany (Blessed) | Leoš Janáček, WDR Sinfonieorchester Köln, Gerd Albrecht | F Major | 1 | 7B | 60 BPM | ||
Etude-fantasie in E-Flat Major, Op. 4, "Les Vagues" | Vladimir Horowitz, Valery Kuleshov | G Minor | 1 | 6A | 67 BPM | ||
Les biches Suite, FP 36b: I. Rondeau | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | C Major | 1 | 8B | 79 BPM | ||
Octet in E Flat Major, Op. 20, MWV R20 - Arr. for Four Parts: Scherzo (B) | Felix Mendelssohn, Emerson String Quartet | G Minor | 0 | 6A | 151 BPM | ||
String Quartet in G Minor, Op. 10, L. 85: 1. Animé et très décidé | Claude Debussy, Melos Quartet | B♭ Major | 1 | 6B | 131 BPM | ||
Japanese Suite, Op. 33: V. Dance under the Cherry Tree | Gustav Holst, Ulster Orchestra, Joann Falletta | B♭ Major | 0 | 6B | 85 BPM | ||
Sonata For Violin And Piano No.5 In F, Op.24 - "Spring": 2. Adagio molto espressivo | Ludwig van Beethoven, Gidon Kremer, Martha Argerich | B♭ Major | 0 | 6B | 77 BPM | ||
Béatrice et Bénédict, Op. 27, H 138: Ouverture | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | G Major | 0 | 9B | 101 BPM |
Section: 0.6445417404174805
End: 0.6492218971252441