"Die Walküre, WWV 86B / Act 1: "Friedmund darf ich nicht heißen"" by Richard Wagner, Poul Elming, Alfred Muff, Alessandra Marc, Cleveland Orchestra, Christoph von Dohnányi was released on July 1, 1997. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wagner: Die Walküre by Richard Wagner, Christoph von Dohnányi, Gabriele Schnaut, Robert Hale, Poul Elming, Alessandra Marc, Alfred Muff, Anja Silja, Cleveland Orchestra. The song's track number on the album is #5 out of 43 tracks. Die Walküre, WWV 86B / Act 1: "Friedmund darf ich nicht heißen" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Die Walküre, WWV 86B / Act 1: "Friedmund darf ich nicht heißen" by Richard Wagner, Poul Elming, Alfred Muff, Alessandra Marc, Cleveland Orchestra, Christoph von Dohnányi has a tempo of 84 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Die Walküre, WWV 86B / Act 1: "Friedmund darf ich nicht heißen" being at 84 BPM, the half-time would be 42 BPM with a double-time of 168 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La fille du régiment: Overture | Gaetano Donizetti, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | B♭ Major | 3 | 6B | 130 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Major | 3 | 7B | 111 BPM | ||
Die Meistersinger Von Nurnberg (The Mastersingers Of Nuremberg): Wach Auf! | Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Richard Wagner | G Major | 2 | 9B | 112 BPM | ||
Dvořák: The Water Goblin, Op. 107, B. 195: II. Andante mesto come prima | Antonín Dvořák, Sir Simon Rattle, Berliner Philharmoniker | A Minor | 0 | 8A | 86 BPM | ||
Shostakovich: Suite from the Age of Gold, Op. 22: II. Polka | Dmitri Shostakovich, Orchestre Philharmonique de Radio France, Paavo Järvi | D Minor | 1 | 7A | 91 BPM | ||
Carmina Burana / I. Primo vere: "Veris leta facies" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | D Minor | 0 | 7A | 68 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical": II. Larghetto | Sergei Prokofiev, André Previn, London Symphony Orchestra | A Major | 0 | 11B | 104 BPM | ||
The Crown Of India: March Of The Mogul Emperors | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B Minor | 4 | 10A | 90 BPM | ||
Bluebeard's Castle: VI. Fifth Door - Bluebeard's Vast and Beautiful Kingdom | Béla Bartók, Valery Gergiev, Elenz Zhidkova, London Symphony Orchestra, Willard White | C Major | 2 | 8B | 138 BPM | ||
Symphony No. 5 in C Minor, Op. 67: IV. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | C Major | 3 | 8B | 83 BPM |
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