"Lohengrin, WWV 75, Act I: Zum Kampf für eine Magd zu stehn (Lohengrin, Elsa)" by Richard Wagner, Klaus Florian Vogt, Annette Dasch, Marek Janowski, Rundfunk-Sinfonieorchester Berlin, Rundfunkchor Berlin was released on June 1, 2012. Lohengrin, WWV 75, Act I: Zum Kampf für eine Magd zu stehn (Lohengrin, Elsa) is about six minutes long, preciously at 6:01, making this song fairly long compared to other songs. This song is part of Wagner: Lohengrin by Richard Wagner, Marek Janowski, Rundfunk-Sinfonieorchester Berlin, Rundfunkchor Berlin. The song's track number on the album is #9 out of 37 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. Lohengrin, WWV 75, Act I: Zum Kampf für eine Magd zu stehn (Lohengrin, Elsa) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lohengrin, WWV 75, Act I: Zum Kampf für eine Magd zu stehn (Lohengrin, Elsa) by Richard Wagner, Klaus Florian Vogt, Annette Dasch, Marek Janowski, Rundfunk-Sinfonieorchester Berlin, Rundfunkchor Berlin has a tempo of 89 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Lohengrin, WWV 75, Act I: Zum Kampf für eine Magd zu stehn (Lohengrin, Elsa) being at 89 BPM, the half-time would be 44 BPM with a double-time of 178 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Traviata / Act 3: "Ah, Violetta!" - "Voi? Signor?" | Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Sherrill Milnes, Bavarian State Orchestra, Carlos Kleiber | A Minor | 1 | 8A | 105 BPM | ||
Symphony No.2: 2. Allegro risoluto | Aram Khachaturian, Wiener Philharmoniker | A♭ Major | 3 | 4B | 101 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic | F Major | 6 | 7B | 154 BPM | ||
Essay For Orchestra No. 1, Op. 12 | Samuel Barber, St. Louis Symphony, Leonard Slatkin | E Major | 2 | 12B | 179 BPM | ||
Prince Igor (Knyaz Igor): Act I: Greshno tait': ya skuki nye lyublyu (I don't like boredom) (Galitzky) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | B Major | 4 | 1B | 84 BPM | ||
I vespri siciliani: Overture | Giuseppe Verdi, Berliner Philharmoniker, Claudio Abbado | E Major | 2 | 12B | 77 BPM | ||
Lyric Pieces, Op. 54 - Orch. by Edvard Grieg: V. March of the Trolls: Allegro Marcato | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | D Major | 0 | 10B | 77 BPM | ||
Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique": III. Allegro molto vivace | Pyotr Ilyich Tchaikovsky, Leningrad Philharmonic Orchestra, Evgeny Mravinsky | D Major | 3 | 10B | 156 BPM | ||
Eine Symphonie zu Dantes Divina Commedia, S109/R426, "Dante Symphony": I. Inferno: Lento | Franz Liszt, Veronika Kincses, Hungarian Radio and Television Ladies Chorus, Budapest Symphony Orchestra, György Lehel | C Major | 1 | 8B | 145 BPM | ||
Symphony No. 41 in C Major, K. 551 "Jupiter": 4. Molto allegro | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Karl Böhm | G Major | 2 | 9B | 141 BPM |
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