Essay For Orchestra No. 1, Op. 12 - Samuel Barber, St. Louis Symphony, Leonard Slatkin Information

Acousticness: 94%
Danceability: 20%
Energy: 18%
Instrumentalness: 3%
Liveness: 10%
Loudness: 65%
Speechiness: 6%
Valence: 19%
Popularity: 3%
Loudness: -21.081 dB

Summary

"Essay For Orchestra No. 1, Op. 12" by Samuel Barber, St. Louis Symphony, Leonard Slatkin was released on January 1, 1989. Since Essay For Orchestra No. 1, Op. 12 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 6 in Adagio for Strings / 3 Essays for Orchestra by Samuel Barber, Leonard Slatkin, St. Louis Symphony. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. The popularity of Essay For Orchestra No. 1, Op. 12 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Essay For Orchestra No. 1, Op. 12 BPM

The tempo marking of Essay For Orchestra No. 1, Op. 12 by Samuel Barber, St. Louis Symphony, Leonard Slatkin is Presto (very, very fast), since this song has a tempo of 179 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.

Essay For Orchestra No. 1, Op. 12 Key

This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Piano Concerto in A Minor, Op. 16: I. Allegro molto moderato (Excerpt)	Edvard Grieg, Cecile Ousset, Sir Neville Marriner, London Symphony Orchestra	A Minor	1	8A	81 BPM
Blow The Wind Southerly (Arr. Kanneh-Mason)	Traditional, Sheku Kanneh-Mason	C Major	0	8B	95 BPM
The Firebird (L'oiseau De Feu) - Suite (1919): Finale	Igor Stravinsky, Orchestre de l'Opéra Bastille, Myung-Whun Chung	E Major	2	12B	78 BPM
Palladio: 1. Allegretto (arr. for Strings Orchestra)	Karl Jenkins, Carmine Lauri, David Alberman, London Symphony Orchestra	D Minor	3	7A	90 BPM
Rhapsody on a Theme of Paganini, Op. 43: Variation No. 18 Andante cantabile	Sergei Rachmaninoff, Daniil Trifonov, Philadelphia Orchestra, Yannick Nézet-Séguin	D♭ Major	1	3B	88 BPM
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins	Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon	F♯ Major	0	2B	0 BPM
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78	Felix Mendelssohn, Jan Lisiecki	G Minor	0	6A	168 BPM
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74]	Franz Liszt, Joseph Banowetz	G Minor	0	6A	96 BPM
Don Quixote, Op. 35, TrV 184: Theme	Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock	G Major	0	9B	129 BPM
Tchaikovsky: Swan Lake, Op. 20, Act I: No. 2, Waltz	Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra	A Major	1	11B	105 BPM

ISRC: USAR28801003
Label: L-M Records/RCA Records

Section: 0.814462423324585

End: 0.8179702758789062